Skip to main content

PROFESSOR'S PICKS: 100 Favorite Films Across 100 Years




    Raise your hand if you honestly thought we'd ever get here.
  
   It's the truth: the number of posts from Films and Feelings has now reached the triple digits. The current tally stands at 41 essays, 41 reviews, 6 Professor's Picks (counting this one), 10 monthly reports of The Great Movie Conquest of 2022, and 2 Years in Review. This is the kind of threshold that generally merits some sort of celebration or commemoration, so why not do something special today? To celebrate one hundred posts, I've assembled a list of my favorite film for each year over the last one hundred years. 

    Let me alleviate some of your fears here and now: this will be mostly a visual experience. It far exceeds my writing prowess to be able to give 100 unique explanations for why specifically I enjoy each movie. And for many of these films, true expression of what it means to me escapes my ability anyhow. In cases where I have already written extensively about a given film, though, I'll link to the relevant essay. 

    Many film enthusiasts really care about the distinction between "best" and "favorite." I myself don't love to get too deep into this marsh. I've long felt that storytelling's fundamental purpose is to help reconcile the conflicts of the human heart, and so it doesn't feel sacrilegious for me to say that a large percentage of a film's success should be measured by whether its audience responds to it. The corollary is also true: if a film's artists take the time to do their job well, then the human heart will be naturally more receptive to the final product. 

    While there's a lot of overlap between how I designate either class, I'll say that for this list I leaned towards "film that I found most meaningful and/or enjoyable," as opposed to "film that I personally feel best pushes forth the boundaries of the film medium." For most of this list, though, those two don't really compete. 

   
Yes, most years offer more than simply a single film worth celebrating 
(some especially competitive years include 1946, 1952, 1965, 1994, 2004, and 2015), but I quickly shot down the inclusion of an honorable mentions for each year. This list is already interminably long.

    Anyways, I hope you see some favorites on this list. I hope others surprise you. I hope you'll find a few films you haven't gotten around to yet, and maybe some you've never even heard of, and find the time to check them out. Here we go ... 

[Updated March 2026]
   


1923 - Safety Last - Fred C. Newmeyer, Sam Taylor 



1924 The Navigator - Donald Crisp, Buster Keaton




1925 His People - Edward Sloman



1926 3 Bad Men - John Ford



1927 Sunrise: A Song of Two Humans - F.W. Murnau 




1928 The Docks of New York - Josef von Sternberg




1929 Lucky Star - Frank Borzage




1930 City Girl - F.W. Murnau




1931 City Lights - Charlie Chaplin



1932 The Most Dangerous Game - Irving Pichel, Ernest B. Schoedsack




1933 The Gold Diggers of 1933 - Mervyn Leroy




1934 It Happened One Night - Frank Capra




1935 Naughty Marietta - Robert Z. Leonard, W.S. Van Dyke 





1936 Modern Times - Charlie Chaplin





1937 Snow White and the Seven Dwarfs - David Hand, William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, Ben Sharpsteen 




1938 Le Quai des Brumes "Port of Shadows" - Marcel Carné 





1939 Gone with the Wind - Victor Fleming, George Cukor, Sam Wood




1940 The Great Dictator - Charlie Chaplin 





1941 The Wolf Man - George Waggner 





1942 Casablanca - Michael Curtiz 




1943 The More the Merrier - George Stevens






1944 Meet Me in St. Louis - Vincente Minelli 





1945 A Tree Grows in Brooklyn - Elia Kazan 





1946 It's a Wonderful Life - Frank Capra




1947 It Happened on 5th Avenue - Roy Del Ruth 






1948 Romance on the High Seas - Michael Curtiz





1949 Jour de Fête - Jacques Tati





1950 Sunset Boulevard - Billy Wilder





1951 People Will Talk - Joseph L. Mankiewicz





1952 Singin' in the Rain - Stanley Donen, Gene Kelly




1953 From Here to Eternity - Fred Zinneman




1954 On the Waterfront - Elia Kazan




1955 The Night of the Hunter - Charles Laughton




1956 The Searchers - John Ford




1957 Le Notti di Cabiria "Nights of Cabiria" - Federico Fellini 





1958 Vertigo - Alfred Hitchcock




1959 Les Quatre Cents Coups "The 400 Blows" - Francois Truffaut 






1960 The Apartment - Billy Wilder




1961 King of Kings - Nicholas Ray




1962 Pressure Point - Hubert Cornfield




1963 The Birds - Alfred Hitchcock





1964 Mary Poppins - Robert Stevenson





1965 A Patch of Blue - Guy Green


A Patch of Blue: Sidney Poitier, Representation, and The Virtue of Choice


1966 Ostre Sledované Vlaky "Closely Watched Trains" - Jiří Menzel






1967 The Jungle Book - Wolfgang Reitherman 





1968 The Heart is a Lonely Hunter - Robert Ellis Miller




1969 Butch Cassidy and the Sundance Kid - George Roy Hill




1970 Catch 22 - Mike Nichols





1971 Walkabout - Nicolas Roeg




1972 Butterflies are Free - Milton Katselas





1973 The Last Detail - Hal Ashby




1974 Sugarland Express- Steven Spielberg




1975 Jaws - Steven Spielberg


JAWS: The Father of All Blockbusters Turns 50




1976 La Última Cena "The Last Supper" -Tomás Gutiérrez Alea






1977 The Goodbye Girl - Herbert Ross





1978 Watership Down - Martin Rosen




1979 Kramer vs Kramer - Robert Benton




1980 Ordinary People - Robert Redford





1981 Clash of the Titans - Desmond Davis




1982 The Plague Dogs - Martin Rosen




1983 Tender Mercies - Bruce Beresford




1984 The Terminator - James Cameron 




1985 The Breakfast Club - John Hughes




1986 Stand By Me - Rob Reiner




1987 Broadcast News - James L. Brooks




1988 Who Framed Roger Rabbit - Robert Zemeckis 





1989 The Little Mermaid - Ron Clements, John Musker




1990 Dances with Wolves - Kevin Costner




1991 Beauty and the Beast - Kirk Wise, Gary Trousdale





1992 Scent of a Woman - Martin Brest




1993 Jurassic Park - Steven Spielberg




1994 Leon: The Professional - Luc Besson





1995 While You Were Sleeping - Jon Turteltaub




1996 Kolya - Jan SvÄ›rák






1997 Titanic - James Cameron




1998 The Prince of Egypt - Brenda Chapman, Steve Hickner, Simon Wells




1999 The Iron Giant - Brad Bird




2000 Finding Forrester - Gus Van Sant 




2001 Moulin Rouge! - Baz Luhrmann 


Moulin Rouge!: Musicals Chasing Authenticity


2002 Minority Report - Steven Spielberg




2003 Finding Nemo - Andrew Stanton




2004 Eternal Sunshine of the Spotless Mind - Michel Gondry




2005 King Kong - Peter Jackson 




2006 El Laberinto del Fauno "Pan's Labyrinth" - Guillermo del Toro




2007 Ratatouille - Brad Bird




2008 Doubt - John Patrick Shanley




2009 Avatar - James Cameron


Avatar vs Pop Culture


2010 Tangled - Nathan Greno, Byron Howard




2011 The Descendants - Alexander Payne




2012 Silver Linings Playbook - David O. Russell 




2013 The Way, Way Back - Jim Rash, Nat Faxon




2014 Guardians of the Galaxy - James Gunn




2015 Bakemono no Ko "The Boy and the Beast" - Mamoru Hosada



2016 Passengers - Morten Tyldum 




2017 The Greatest Showman - Michael Gracey




2018 A Quiet Place - John Krasinski 


A Quiet Place: Scaredy-Cats Taking Back the Horror Movie



2019 Marriage Story - Noah Baumbach




2020 Onward - Dan Scanlon





2021 In the Heights - John M. Chu



2022 The Banshees of Inisherin - Martin McDonagh






--Added March 2026--

2023 The Holdovers - Alexander Payne





2024 A Real Pain - Jesse Eisenberg






2025 Wicked: For Good - Jon M. Chu





    Thanks as always for reading my work. 100 posts more would still not be nearly space enough for me to articulate all that film has given to me, and to us. I don't know for certain how far I'll take this thing, but I think there's more ink in the pen. 

                --The Professor







Comments

Popular posts from this blog

Toy Story 4: Pixar's Tribute to Regression

          It was about this time last year that I came across the one person who actually hated Toy Story 3 .          I was reading Jason Sperb’s book “Flickers of Film: Nostalgia in the Age of Digital Cinema” as part of my research for my essay on Who Framed Roger Rabbit and Pokemon: Detective Pikachu . It was in one of his chapters on the Pixar phenomenon that he shared his observation from the ending of Toy Story 3 , essentially casting the film as this nostalgia mousetrap for adults: “ If Andy lets go of his childhood nostalgia and moves on, then Toy Story fans don’t really have to , as the narrative recognition in the potential value in such an act is sufficient. Actually moving on becomes indefinitely deferred in an endless cycle of consumption (rewatching the movies, purchasing new versions of the movie, purchasing more and more Toy Story-related merchandise, rewatching them yet again with the next generat...

REVIEW: HOPPERS

     In the 1950s under the threat of nuclear warfare, Hollywood premiered such exercises as The Day the Earth Stood Still or War of the Worlds where an alien power would pass judgment on humankind, holding its fate in its hands. Here in the 2020s under the shadow of such threats as climate change, Hollywood sends to be our judge ... beavers.     Let me back up ...      Daniel Chong's new film from Pixar Animation, Hoppers , sees  Mabel (Piper Curda), a college student whose self-appointed mission is to preserve the glade where she used to find sanctuary with her now deceased grandmother. Her biggest opponent is hometown boy and beloved mayor, Jerry (Jon Hamm), who has designs to plow over the glade in order to open his new freeway--estimated to save travelers four whole minutes of commuting.       Mabel gets her golden opportunity when she uncovers secret technology pioneered by her professor which allows a human to rem...

REVIEW: Disclosure Day

     Maybe it was self-control that compelled Spielberg to build his whole movie around aliens but give the aliens themselves as little screentime as possible. (Or, for all I know, he did it on a dare.)  But this is only one of the risks taken by his latest film.       This first encounter picture is distanced from something like Independence Day and more toward something like 2001: A Space Odyssey --and it's even closer to something like Arrival . The film sees a cyber-security worker, Daniel Kilner (Josh O'Connor) who defects with the intent to reveal what he knows to the world: the government has had repeated, secret encounters with extraterrestrial life. He has a team of underground sympathizers, lead by Hugo Wakefield (Colmon Domingo), but he also has agent Noah Scanlon (Colin Firth) out to stop the truth at any cost. Kilner's only chance getting the truth out there is in joining up with Margaret Fairchild (Emily Blunt), a newscast personali...

(Almost) A Love Letter to the "Percy Jackson" Movies

    Maybe it's just living through a pandemic-stained world rife where each election feels like a last-ditch effort to rescue liberty from the oblivion, but I'm sometimes nostalgic for the days when the most traumatic thing in my life was a poor adaptation of a favorite book.      My generation will remember the film adaptation of the popular YA fantasy book Percy Jackson and the Olympians: The Lightning Thief by Rick Riordan with something like embarrassment, if not outright lividity. The book follows a young teen, Percy Jackson, who discovers that the gods of ancient Greece not only exist, but also sire modern day heroes. As a child of one of these gods, Percy is continually drawn into their Olympian-sized conflicts wherein he gets to prove himself every bit as much a hero as Hercules.       Each installment of the five-book series reads like a theme-park ride through Greek mythology as the teens travel across the country battling ancient m...

Some Much Needed Love for Megamind

    Following this year's Oscars ceremony, filmmakers Phil Lord and Chris Miller, directors of The Lego Movie , penned an op-ed for Variety bemoaning the stigma around animated films. They report taking issue with Naomi Scott, one of the presenters for best animated film, saying that animated films are some of the most formative experiences a kid has, and that kids tend to watch these films over and over, further noting "I think some of the parents out there know exactly what I'm talking about." Lord and Miller seemed to take this as implying that adults can't appreciate animated films, saying "Surely no one set out to diminish animated films, but it’s high time we set out to elevate them."                    I didn't personally find Scott's observation that kids make their parents watch the same animated films over and over again innately demeaning--certainly not any more than Schumer joking that her toddler made he...

REVIEW: Song Sung Blue

     I came into Craig Brewer's Song Sung Blue with little context for the real-life couple at the center of this movie, for Neil Diamond, or for the world of celebrity  impersonators  interpreters. There are no doubt subterranean connotations to the specific songs that they chose to sing at certain moments in the narrative that are lost on me. I have no doubt, though, that the intended audience will find this movie before long.  But the film was still viable enough that even a relative neophyte like me could still find himself humming along to this musical drama.     The film documents the real-life couple of Mike and Claire Sardina, celebrity impersonators who fall in love, marry, and form a tribute band for legendary singer, Neil Diamond. We track their relationship from its beginning through their career aspirations and the crossroads in their marriage, including a violent accident that changes their family forever.     Again, I don...

REVIEW: Soul

Pixar's latest film, Soul , dropped on Disney+ Christmas day, another regrettable casualty of the virus. This time around, we follow a hopeful musician bursting with enthusiasm. Music is an oddly appropriate metaphor for the film: both certainly touch the outer rim of mankind's emotional faculty, but good luck summarizing the experience to your friends. Joe Gardner is a music teacher at a public school whose enthusiasm for music is spilling out of the walls of his classroom. Opportunity strikes Joe the same day that misfortune does, and a fatal accident lands him in a celestial plane of existence known as "The Great Before," where souls are developed and finessed before being sent to earth to experience human existence. Joe is saddled with mentoring 22, a soul sapling who has settled in The Great Before for several hundred years and has no intention of ever giving mortality a chance. But in 22, Joe sees a chance to return back to earth and fulfill his purpose if he ca...

The Notebook Has No Excuses

     The thing about film is … the more you think about it, the less sense it makes. Film tells us, even in a society obsessed with wealth and gain, “Remember, George, no man is a failure who has friends.” Film warns us that the most unnatural evil lies in wait at the Overlook Hotel and peeks out when all the guests leave for the winter–and that the heart of it resides in room 237–knowing we'll trip over ourselves wanting to open that door. Film is what makes us believe that the vessel for the deepest human emotion could be contained in a cartoon clownfish taking his unhatched cartoon son and holding him in his cartoon fin and telling him he will never let anything happen to him.  Nights of Cabiria (1957) Even when it tries to plant its feet aggressively in realism, film winds up being an inherently emotional realm. We feel safer to view and express all manners of passions or desires here in the space where the rules of propriety just don’t matter anymore. So a fa...

Charade: The Shortest Distance Between Two Words

It can feel hackneyed, and even a little lazy, to echo that oft-repeated sentiment that “they really just don’t make ‘em like they used to.”  That kind of nostalgic wallowing has us forget that, yeah, even the old masters sometimes produced real stinkers. And it’s also not fair to the many storytellers today who, working against ever turbulent conditions, still manage to create something deeply profound and worthy of the deepest reverences …       But there are absolutely times where it’s really easy to believe this anyways.      Let me explain by describing my recent experience watching Argylle for the first time earlier this year. The film was designed as a spin-off from the “Kingsmen” franchise and saw poor Bryce Dallas Howard playing Elly, a reclusive spy novelist, whose life is turned upside down when a host of malicious agents converge on her demanding that she write her final book because the events in her novels have predicted real w...

REVIEW: Masters of the Universe

            I have very little context for anything He-Man. But that shouldn't count against Mattel's new Masters of the Universe film. I had very little context for the first "Thor" movie, and even less for Guardians of the Galaxy . But those faced no trouble becoming, and remaining, major pillars of pop culture for me.       With Masters of the Universe , there are pieces here that are vaguely (and occasionally not-so-vaguely) reminiscent of both of these properties. But these are surface connections. In the short time since those movies entered the arena, Hollywood has already forgotten why we even fell in love with these epic adventures in the first place.      Adam is the crown prince of the mythical Eternia, a universe that was razed by the evil Skeletor the same day the king and queen sent Adam off to earth to protect him from Skeletor's rage. In the fifteen years since, Adam has thought of nothing else (and a...