Films and Feelings

In book ten of Metamorphoses, Greek poet Ovid tells the tale of Pygmalion, a talented sculptor living in the height of ancient Greek society.      According to the story, Pygmalion’s sculpting prowess was so impeccable that one of his pieces, a marble woman he christened Galatea, was said to be the lovelier than any woman of flesh and blood. Pygmalion was so taken by his creation that he brought her exotic gifts, kissed her marble cheeks, even prepared a luxurious bed for her. Pygmalion so pined to be loved by Galatea that he prayed to the goddess Aphrodite to allow Galatea to reciprocate his love and affection. Aphrodite was apparently in a good mood that day, so she granted Pygmalion’s wish, giving life to Galatea, whom he then wed. The story of Pygmalion is in essence the story of a man who creates his own idealized woman out of whole cloth (or more appropriately, marble), endowing her with all the traits that he finds appealing or alluring. The story also provides a model by which