Films and Feelings

     The thing about film is … the more you think about it, the less sense it makes. Film tells us, even in a society obsessed with wealth and gain, “Remember, George, no man is a failure who has friends.” Film warns us that the most unnatural evil lies in wait at the Overlook Hotel and peeks out when all the guests leave for the winter–and that the heart of it resides in room 237–knowing we'll trip over ourselves wanting to open that door. Film is what makes us believe that the vessel for the deepest human emotion could be contained in a cartoon clownfish taking his unhatched cartoon son and holding him in his cartoon fin and telling him he will never let anything happen to him.  Nights of Cabiria (1957) Even when it tries to plant its feet aggressively in realism, film winds up being an inherently emotional realm. We feel safer to view and express all manners of passions or desires here in the space where the rules of propriety just don’t matter anymore. So a fa...