Films and Feelings

  “Witch” has historically been used as a pejorative for a non-conformist woman. It’s little wonder, then, that a society with more progressive mores would commandeer the witch archetype into a warrior for social justice, or that the most famous witch of them all would spearhead this retyping. Yes, I am thinking of a certain Broadway musical and a fiery, green-skinned, justice-bent rebel-rouser.  Wicked is a stage musical that follows the infamous Wicked Witch of the West as featured in the 1939 film The Wizard of Oz . By shedding light on what happened before Dorothy dropped into Oz, Wicked recasts the witch as not a villain, but a misunderstood heroine. The show has been defying gravity on Broadway for coming on twenty years now, and it’s showing no signs of slowing down.   When Disney’s Maleficen t came along a little over ten years later, the shorthand description of the film was basically “It’s Disney trying to do Wicked but with Sleeping Beauty ,” and I don’t think Disney i