Travis Knight's Wildwood has already generated above-normal discourse about the merits and application of animation as an artform. "Don't you realize that animation isn't just for KIDS, by Jove!?" (Don't you realize ... lots of us have been saying that for a while now?) This connects to a much larger conversation about the stigma the artform has held, a conversation that has generally placed the onus on animation--and animators--to prove they can be as good as "real films" and "real filmmakers." Animation as a form will need sustained support--from more than just the crowd who waited until now to decide that animated movies could be "good, actually." But Wildwood itself offers other contributions that I imagine will carry the field much further. Oregonian preteen Prue McKeel ignores her parents' instruction to not take her brother, Mac, outside. When a flock of crows descend and carry her brother off into the w...
“But isn’t it time we stopped accepting in film criticism an anti-emotional, phony rationalism which we know to be not just harmful, but absurd, in any other context? Isn’t it time we plucked up our courage and allowed our hearts as well as our heads to go the pictures?” Raymond Durgnat (Films and Feelings) 1971