Films and Feelings

     The choice to move Warner Bros'  Scoob!, directed by Tony Cervone, to digital is an understandable one, but the film remains haunted by the possibility of having been the launching pad that brought Mystery Inc back into the public eye through the big screen. In an alternate timeline where theater doors weren't shuttered, could this have worked? Very possibly. Not short on laughs or ingenuity, this film places Scooby-Doo and company in a new universe that has every opportunity to initiate a new generation into the longstanding Scooby-Doo fandom.      Having deployed their mystery-solving expertise for fifty years (in the film's universe only ten years), the Mystery Inc. gang is considering expanding their business into the larger market and going big. But doing so runs the risk of losing their tight-knit posse. Does the group need to sacrifice friendship on the altar of inevitable maturation? The question hangs in the air as Scooby and Shaggy are caught in the crossfire

  The 1990s was a relatively stable period of time in American history. We weren’t scared of the communists or the nuclear bomb, and social unrest for the most part took the decade off. The white-picket fence ideal was as accessible as it had ever been for most Americans. Domesticity was commonplace, mundane even, and we had time to think about things like the superficiality of modern living. It's in an environment like this that a movie like Sam Mendes' 1999 film American Beauty can not only be made but also find overwhelming success. In 1999 this film was praised for its bold and honest insight into American suburban life. The Detroit News Film Critic called this film “a rare and felicitous movie that brings together a writer, director and company perfectly matched in intelligence and sense of purpose” and Variety hailed it as “a real American original.” The film premiered to only a select number of screens, but upon its smashing success was upgraded to