Films and Feelings

  In early 2017, Variety ran a piece titled “ Will Musicals See a ‘La La Land’ Boost ?” alongside said movie’s victory lap around the box office and critics at large. Justin Paul, who wrote the music for La La Land alongside his partner, Benj Pasek, was optimistic about the doors his movie was opening: “I have to believe that other studios, other producers, would only be encouraged by the impact of ‘La La Land,’ both critically and at the box office.” Their agent, Richard Kraft, shared a similar sentiment. “I think people are growing tired of snark and skepticism and pessimism. [La La Land] hit the zeitgeist for smart and unapologetic optimism. Even in times of strife and conflict, people still fall in love and follow dreams.”  These are the kinds of statements that don’t go unnoticed by a musical nerd who chose to write his semesterly report on Meet Me in St. Louis when all his fellow film students wrote on Woody Allen. Classical musicals had always just been that gateway into c