Skip to main content

The Great Movie Conquest of 2022: A Year in Review


         I recently came across a clip from a lecture that filmmaker extraordinaire, Orson Welles, gave to a class of aspiring filmmakers. The relevant bit has Welles advising his students to not watch so many movies and to allow one's storytelling to be informed by one's own experiences.

    What a time for me to stumble across this bit of counsel ... 

    I wonder if this advice, should we choose to accept it at all, is applicable more to filmmakers than to film critics. My incentive for exposing myself to as many films as possible, even during times when I'm not literally watching a new film a day, is because I want to have a wide base of knowledge for the subject I claim to be an expert in. 

    That said, I have come to observe the limitations of inhaling too much media ... 

    If you haven't heard, I set a goal this year to accelerate my study of film by watching one film I hadn't seen for each day of 2022. What a way to familiarize myself with a range of movies while also forcing myself to try out new brands of film. 

    I tried something like this some years back. That challenge took place over a summer when I was also taking classes (Media Arts History I and II) for my film degree. That challenge took place over 100 days. I once thought this was a long duration of time, I now understand that it's child's play.

    Nothing's ever fun once it becomes a chore. Routine. I found out that much very early on this year. I became so concerned with getting my daily movie out of the way before I went in for work that I would just choose the shortest film on my watch list, or something light that wouldn't demand so much attention. 

    What's more, after committing to watch a new movie every day all year, eventually they all just start to blur together, which defeats the purpose of adding 365 new individual films to your repertoire. (Will someone please remind me what Hannah and Her Sisters was even about? I honestly can't remember.) True literacy is as much about depth of knowledge as it is about breadth, and that's not a process you can just rush. 

    This all to say ... I ended up calling the race with barely over a month to go.

        One might question the rationality of dropping out with only a single lap remaining, and I will have to live with that for the rest of my life, but I also understood that any films I would viewed during the remaining 30 days of the year wouldn't have received the full attention and consideration they deserve.

    While I ultimately dropped out of this game prematurely, some lessons were learned. One that is going to stick with me is that increasing the rate at which I consumed new films does not necessarly increase the rate at which I find good movies. I didn't add a greater sum of ten-star films to my list this year, and I've thought of a number of potential reasons why. 

    It's possible that there are simply fewer ten-star films remaining. This theory doesn't inspire much hope for me. I don't love the possibility that there is a cap to the number of films I can feel unfiltered adoration for, nor that I would encounter them in decreasing frequency as I venture further and further beyond the scope of mainstream film. It can't be that all the good films are all just the films that everyone already knows about.

    I also think back on many of the films currently on my ten-star list, and how many of them did not land on said list at the start. It's common for a film to strike me as "surprisingly good" on a first viewing and only be promoted to "excellent" after I was drawn back for a third or fourth viewing. Sometimes you have to dive into a film a few times before the depths of its genius reveals itself. I'm holding out hope that as I continue to reacquaint myself with many of the films I encountered this year, I'll discover that a few of them were even better than I remembered, and maybe a few of them I will find so prophetic and so finessed in their craft that I'll be baffled that I didn't appreciate them properly the first time around. And this is another reason why I eventually couldn't help but revert back to a schedule of mostly rewatching familiar films.

    The process itself was much more meaningful once I introduced monthly themes to my exploration. I devoted May to watching films with James Stewart and August to catching up on Netflix originals. Focusing my viewings like his helped keep my intellectual pursuits in mind and find patterns between films. That isn't to say that making time for new movies ever became less of a chore, but I had a lot more to say each for my monthly reports once I had an overriding motif to direct my viewing. Of course, identifying new themes became its own box to check off, which is partly why I wasn't able to sustain the trend during those last crucial months.

    The biggest takeaway is something I probably could have foreseen beforehand but needed firsthand experience to appreciate: no one will ever see enough films. The medium has been around for over a hundred years now and new films are being released every day all around the world. I could follow this challenge for several years and I would never get anywhere close to seeing all the films ever made. I might not even get close to seeing all the important films ever made.

Charles Lane's Sidewalk Stories (1989)
    That honestly makes me a little sad. I know there are a lot of artists out there praying that someone will discover their film. Even after a filmmaker has gone through the arduous process of even making a film to begin with, studios and streaming services are constantly making decisions about what content they will support and what will be lost to the oblivion. The Youtube channel The Take recently did a piece on the crisis of vanishing content that highlights the urgency of the situation. There are a lot of meaningful films already out there that don't deserve to be lost to time. Part of my motivation behind this fool's errand was to scout out as many of these films as I could. I'm hoping that even as I return for a more manageable schedule, I will still be on the lookout for films that deserve some promotion, and I hope that likeminded film-lovers will take up the torch.

   While I haven't seen every film worth viewing, I am ready to resume a less strenuous timetable for consuming new films. The Great Movie Conquest of 2022 has fulfilled its function, and I am ready to restrategize how I go about becoming a more literate film critic. I'll get to decide what that looks like in practice over the next few weeks, but for now I'm going to spend a lot of time rewatching 150-minute movies that I haven't had time for since last December.

            --The Professor


    

    Anyways, this ordeal wouldn't be complete without a few top ten lists, so we're going to do that now: 


10 Favorite Movies From This Challenge

Top Row: Sliding Doors (1998), Central Station (1998), Captains Courageous (1937), CODA (2021), Ordinary People (1980)

Bottom Row: The Banshees of Inisherin (2022), Ben is Back (2018), Belle (2021), Ikiru (1952), Prisoners (2013)


10 Movies I Would Never Have Seen Without This Challenge

Top Row: Hell's Kitchen (1939), Cadillac Man (1990), All or Nothing (2002), My Furher (2007), Sea Prince and the Fire Child (1981) 

Bottom Row: The Wild Swans (1977), Farewell My Lady (1956), Zebraman (2004), Monos (2019), They Don't Wear Black Tie (1981)


10 Movies You Can't Believe It Took Me this Long to See


Top Row: District 9 (2009), City of God (2002), American Psycho (2000), The Green Mile (1999), Unbreakable (2000)

Bottom Row: Seven Samurai (1954), Pulp Fiction (1994), Baby Driver (2017), Braveheart (1995), Shaun of the Dead (2004)


Every Film Watched This Year:

  1. His People
  2. Shang-Chi and the Legend of the Ten Rings
  3. The Mortal Storm
  4. Begin Again
  5. Batman
  6. Alien Resurrection
  7. Grand Hotel
  8. Hans Christian Andersen
  9. Room for One More
  10. Promising Young Woman
  11. Braveheart
  12. Always Be My Maybe
  13. Delightfully Dangerous
  14. The Cider House Rules
  15. Belle
  16. Pressure Point
  17. Scream
  18. Armageddon
  19. The Wild Swans
  20. RoboCop
  21. I Am Sam
  22. Children of the Corn
  23. Tombstone
  24. The Secret Life of Pets
  25. The Fisher King
  26. Mr. Robinson Crusoe
  27. All the Right Moves
  28. Beyond the Moon
  29. The Hobbit: An Unexpected Journey
  30. Salem's Lot
  31. The Tender Bar
  32. Australia
  33. Journey to Italy
  34. Shark Tale
  35. Irma la Douce
  36. I Shot Jesse James
  37. Abominable
  38. Prisoners
  39. The Exorcist
  40. The Social Dilemma
  41. Easy A
  42. An Officer and a Gentleman
  43. World War Z
  44. The Hunchback of Notre Dame
  45. When Harry Met Sally...
  46. The Hobbit: The Desolation of Smaug
  47. Lake Placid
  48. Hollow Man
  49. The Power of the Dog
  50. The Bravados
  51. Designing Woman
  52. Rosemary's Baby
  53. The Coward
  54. Invasion of the Body Snatchers
  55. tick, tick...BOOM!
  56. The House with a Clock in Its Walls
  57. Cyrano
  58. The King of Kings
  59. Ride Your Wave
  60. A Fish Called Wanda
  61. Guest in the House
  62. About Time
  63. Scooby-Doo 2: Monsters Unleashed
  64. Hell's Kitchen
  65. American Playhouse: Sunday in the Park with George
  66. The Hobbit: The Battle of the Five Armies
  67. Diner
  68. Brute Force
  69. The Green Mile
  70. Turning Red
  71. Baby Driver
  72. Moby Dick
  73. Empire of the Sun
  74. Monos
  75. Vertical Limit
  76. The More the Merrier
  77. Mein Furher
  78. CODA
  79. Dangerous Crossing
  80. Fantastic Beasts: The Crimes of Grindelwald
  81. Nightmare Alley
  82. Splendor in the Grass
  83. Grizzly Man
  84. Theodora Goes Wild
  85. The Lost City
  86. Man of La Mancha
  87. Peter Pan
  88. Free Guy
  89. Chronicle
  90. Shane
  91. Death on the Nile
  92. The Little Mermaid
  93. Take Me Out to the Ball Game
  94. Seven Samurai
  95. (500) Days of Summer
  96. Ingrid Goes West
  97. Sweet Charity
  98. Juno
  99. Ikiru
  100. Soylent Green
  101. Princess Mononoke
  102. Unbreakable
  103. Sea Prince and the Fire Child
  104. Criss Cross
  105. Pleasantville
  106. After the Storm
  107. The Map of Tiny Perfect Things
  108. Father Stu
  109. Wanda
  110. My Dream Is Yours
  111. All or Nothing
  112. Nanook of the North
  113. Tenet
  114. The Hurricane
  115. Tokyo Story
  116. Single White Female
  117. Hannah and Her Sisters
  118. The Other Woman
  119. Zebraman
  120. Kill!
  121. Under the Tuscan Sun
  122. The Bad Guys
  123. Broken Arrow
  124. The Hollars
  125. Five Easy Pieces
  126. Love Affair
  127. St. Vincent
  128. The Flight of the Phoenix
  129. Blinded by the Light
  130. Ben-Hur
  131. Dazed and Confused
  132. Sliding Doors
  133. Take Her, She's Mine
  134. Doctor Strange in the Multiverse of Madness
  135. No Highway in the Sky
  136. Clouds
  137. Captains Courageous
  138. How to Murder Your Wife
  139. Winchester '73
  140. Corpse Bride
  141. Breaking Away
  142. Frankenstein
  143. Without Love
  144. Girl, Interrupted
  145. The Glenn Miller Story
  146. Yojimbo
  147. Postcards from the Edge
  148. Bell Book and Candle
  149. Libeled Lady
  150. Monster's Ball
  151. Raging Bull
  152. Big Eyes
  153. The Omega Man
  154. The Lure
  155. Ordinary People
  156. The Letter
  157. Sunshine Cleaning
  158. Network
  159. Mission: Impossible
  160. Boys' Night Out
  161. Jurassic World: Dominion
  162. The Two Mrs. Carrolls
  163. High and Low
  164. The Fighter
  165. The Testament of Dr. Mabuse
  166. Limitless
  167. The Scarlet Letter
  168. Office Space
  169. Marathon Man
  170. The Wings of Eagles
  171. Loving
  172. Black Gold
  173. Ghost World
  174. The Golem
  175. Elvis
  176. Too Late for Tears
  177. The River
  178. The Big Sick
  179. That Hamilton Woman
  180. Enemy of the State
  181. Blackboard Jungle
  182. Fantastic Beasts: The Secrets of Dumbledore
  183. Krull
  184. Period of Adjustment
  185. Peninsula
  186. Tora! Tora! Tora!
  187. The Men Who Stare at Goats
  188. Red Sonja
  189. Defiance
  190. On Moonlight Bay
  191. Masters of the Universe
  192. At Eternity's Gate
  193. Imitation of Life
  194. Most Dangerous Game
  195. The Golden Voyage of Sinbad
  196. Fences
  197. The Last Laugh
  198. The Dark Crystal
  199. Sing Street
  200. Viva Las Vegas
  201. Labor Day
  202. The Lord of the Rings
  203. Nope
  204. Wall Street
  205. Bright Eyes
  206. Antwone Fisher
  207. Witness for the Prosecution
  208. Seeking a Friend for the End of the World
  209. Return to Oz
  210. Bohemian Rhapsody
  211. On the Beach
  212. A Letter to Three Wives
  213. Eternals
  214. The Humpbacked Horse
  215. The Adam Project
  216. Hooper
  217. Pulp Fiction
  218. Elmer Gantry
  219. Lonesome
  220. Passing
  221. The Wages of Fear
  222. Deadpool
  223. Blood on the Moon
  224. Extraction
  225. A Fistful of Dollars
  226. The Sea Beast
  227. Licorice Pizza
  228. Ivanhoe
  229. The Guernsey Literary and Potato Peel Pie Society
  230. Working Girl
  231. The Talented Mr. Ripley
  232. Lolita
  233. Master and Commander: The Far Side of the World
  234. Key Largo
  235. Beasts of No Nation
  236. Shaun of the Dead
  237. The Phantom from 10,000 Leagues
  238. Samaritan
  239. The Irishman
  240. The Big Sleep
  241. The Big Short
  242. The Postman Always Rings Twice
  243. City of God
  244. Lightyear
  245. Feet First
  246. Sidewalk Stories
  247. Mister Roberts
  248. Honey, I Shrunk the Kids
  249. Central do Brasil
  250. Saboteur
  251. Pinocchio
  252. Salem's Lot
  253. Fantastic Voyage
  254. Damn Yankees
  255. Erin Brockovich
  256. The Thing
  257. Bye Bye Brasil
  258. Sorry to Bother You
  259. Now, Voyager
  260. 50/50
  261. Nausica of the Valley of the Wind
  262. Blood Diamond
  263. They Don't Wear Black-Tie
  264. Cadillac Man
  265. Paris Blues
  266. King Richard
  267. Deliverance
  268. Dick Johnson Is Dead
  269. The Bad and the Beautiful
  270. I.Q.
  271. Thor: Love and Thunder
  272. Jagga Jasoos
  273. The Perfect Storm
  274. San Francisco
  275. Rodan
  276. Big Fish & Begonia
  277. American Psycho
  278. It Happened on Fifth Avenue
  279. The Day the Earth Stood Still
  280. Amsterdam
  281. That's Entertainment!
  282. Original Cast Album: Company
  283. Mr. & Mrs. Smith
  284. Sleepy Hollow
  285. Misery
  286. The Idle Class
  287. The 40 Year Old Virgin
  288. The Rocky Horror Picture Show
  289. Hocus Pocus 2
  290. Close Encounters of the Third Kind
  291. Uncharted
  292. Ben Is Back
  293. The Savages
  294. Harper
  295. Jackie Brown
  296. Cat's Eye
  297. Dracula Untold
  298. The American President
  299. The Darjeeling Limited
  300. Futureworld
  301. District 9
  302. Nothing to Lose
  303. Moonfall
  304. Fright Night
  305. DC League of Super-Pets
  306. The Little Mermaid
  307. Here Comes Mr. Jordan
  308. The Banshees of Inisherin
  309. The Adventurer
  310. The Pelican Brief
  311. Fatherhood
  312. Reflections in a Golden Eye
  313. Titan A.E.
  314. Till the End of Time
  315. Black Panther: Wakanda Forever
  316. Swingers
  317. A Tale of Two Cities
  318. Up in the Air
  319. Training Day
  320. Good-bye, My Lady
  321. Missing Link
  322. Disenchanted
  323. Guillermo del Toro's Pinocchio
  324. The Ladykillers
  325. Topper
  326. Rent
  327. Strange World
  328. My Father's Dragon
  329. The Guardians of the Galaxy: Holiday Special
  330. Glass Onion: A Knives Out Mystery


Comments

Popular posts from this blog

REVIEW: ELIO

    Here's a fact: the term "flying saucer" predates the term "UFO." The United States Air Force found the former description too limiting to describe the variety of potential aerial phenomena that might arise when discussing the possibility of life beyond earth.      There may have to be a similar expansion of vocabulary within the alien lexicon with Pixar's latest film, Elio , turning the idea of an alien abduction into every kid's dream come true.      The titular Elio is a displaced kid who recently moved in with his aunt after his parents died. She doesn't seem to understand him any better than his peers do. He can't imagine a place on planet earth where he feels he fits in. What's a kid to do except send a distress cry out into the great, big void of outer space?      But m iracle of miracles: his cries into the universe are heard, and a band of benevolent aliens adopt him into their "communiverse" as the honorary ambassador o...

JAWS: The Father of All Blockbusters Turns 50

  The saga of Hollywood lives and dies on the ripples of a thousand different choices. Hundreds of movies each year from hundreds of artists serving hundreds of markets creates a complex, interconnected ecosystem that can never really be explored in its totality. Still, if there was one film, one moment, that trampolined Hollywood from one era into the next, it was in 1975 with Steven Spielberg’s Jaws .      Moviegoing had naturally been a part of the global industry since moving pictures stole everyone’s attention at the start of the century. Tentpole films were also very much a part of the program. But the treatment of movies like The Sound of Music and Ben-Hur was done with an eye for prestige, more comparable to how Oscar hopefuls handle things today.  Theaters at this time were still generally accustomed to having sporadic releases across the country over a period of several weeks. Limited roadshow releases were how you signaled that a movie’s importanc...

REVIEW: Jurassic World - Rebirth

     I had a mixed reaction to  Jurassic World: Rebirth,  but it did make for one of the most enjoyable theater experiences I've had in recent memory.      I have to imagine that a part of this is because my most common theater appointments are matinee screenings, but I had the opportunity to see this one at a fairly well-attended midnight screening. And there's nary a film more tailored for surround-sound roaring and screens wide enough to contain these de-extinct creatures. ("Objects on the screen feel closer than they appear.") It was natural for me to cap the experience by applauding as the credits stared to roll, even if, as usual, I was the only one in the auditorium to do so.     Yes, I am that kind of moviegoer; yes, I enjoyed the experience that much, and I imagine I will revisit it across time.      That's not to imagine the movie is beyond reproach, but for I suppose it bears mentioning that, generally , th...

REVIEW: Lilo & Stitch

       By now the system errors of Disney's live-action remake matrix are well codified. These outputs tend to have pacing that feels like it was okayed by a chain store manager trying to lower the quarterly statement. They also show weird deference to very specific gags from their animated source yet don't bother to ask whether they fit well in the photorealistic world of live-action. And combing through the screenplay, you always seem to get snagged on certain lines of dialogue that someone must have thought belonged in a children's movie ("Being gross is against galactic regulation!).      These are all present in this  summer's live-action reinvention of "Lilo & Stitch." But mercifully, this remake allows itself to go off-script here and there. The result may be one of the stronger Disney remakes ... whatever that's worth.     The 2002 animated masterpiece by Dean Deblois and Chris Sanders (who voices the little blue alien in bo...

An Earnest Defense of Passengers

          Recall with me, if you will, the scene in Hollywood December 2016. We were less than a year away from #MeToo, and the internet was keenly aware of Hollywood’s suffocating influence on its females on and off screen but not yet sure what to do about it.       Enter Morten Tyldum’s film Passengers , a movie which, despite featuring the two hottest stars in Hollywood at the apex of their fame, was mangled by internet critics immediately after take-off. A key piece of Passengers ’ plot revolves around the main character, Jim Preston, a passenger onboard a spaceship, who prematurely awakens from a century-long hibernation and faces a lifetime of solitude adrift in outer space; rather than suffer through a life of loneliness, he eventually decides to deliberately awaken another passenger, Aurora Lane, condemning her to his same fate.    So this is obviously a film with a moral dilemma at its center. Morten Tyldum, direc...

REVIEW: Materialists

      In seminal romantic comedies or dramas, the mark of great writing was in artfully burying the lovebirds' insecurities and hangups in artifice. Pretense. The lovebirds didn't know how to honestly approach their own feelings at first. The distortion revealed the personality of both the situation and the relationship. What's more, it was just fun. The film would slowly thaw this facade until Cary Grant and Irene Dunne finally had, what Materialists calls, the ugliest parts of themselves laid bare for one another. Only then were they ready to embrace.       Yet with Materialists , out this weekend, even in moments when the situation calls for vulnerability, the characters are oddly empirical and clinical with describing the things about them that they are ashamed of. These players might as well be performing a passionate reading of a Walmart receipt. Yes, Materialists is very obviously about the transactionality of the dating scene, but the movie ...

REVIEW: The Legend of Ochi

    This decade has seen a renaissance of movies claiming to be "this generation's ET ," but you probably can't remember their names any better than I can. We could have all sorts of debates why it is no one seems to know how to access that these days, though I don't think for a moment that it's because 2020s America is actually beyond considering what it means to touch that childhood innocence.      But A24's newest film, The Legend of Ochi , does have me thinking this mental block is mostly self-inflicted by a world whose extoling of childhood is more driven by a dislike of the older generation than anything else.  Fitting together narratives like How to Train Your Dragon with Fiddler on the Roof and tossing it in the sock drawer with 1980s dark fantasy, The Legend of Ochi is intermittently enchanting, but it's undermined by its own cynicism.     On an island stepped out of time, a secluded community wages war against the local population of ...

Wicked vs Maleficent

  “Witch” has historically been used as a pejorative for a non-conformist woman, someone who does not obey the expectations of her culture. It’s little wonder, then, that a society with more progressive mores would commandeer the witch archetype into a warrior for social justice, or that the most famous witch of them all would spearhead this retyping.      Yes, I am thinking of a certain Broadway musical and a fiery, green-skinned, justice-bent rebel-rouser.  Wicked is a stage musical that follows the infamous Wicked Witch of the West as featured in the 1939 film The Wizard of Oz . By shedding light on what happened before Dorothy dropped into Oz, Wicked recasts the witch as not a villain, but a misunderstood heroine. The show has been defying gravity on Broadway for coming on twenty years now, and it’s showing no signs of slowing down.   When Disney’s Maleficen t came along a little over ten years later, the shorthand description of the film was basic...

You're Not Stupid for Loving Jurassic World

        I had an experience in the comment section of a YouTube video essay back in 2018 . This was around the release of Jurassic World: Fallen Kingdom, and the essay traced out how the original Jurassic Park developed its character arcs. I thought it was a nice analysis, and many of the comments seemed to agree. But I inevitably came across one comment lamenting how far the "Jurassic" franchise had fallen and how the new "Jurassic World" films just didn't care about things like character arcs anymore. I did a foolish thing and replied to this comment with my honest opinion, that being ... the JW films actually took a very similar approach to their character arcs, and arguments to the contrary weren’t giving the new films proper credit. One person replied directly to my comment, countering my point with “HAAHAHAHAAHA.” And, well, I just couldn’t argue with that …       The Jurassic World movies are especially vulnerable to a certa...

Eternal Sunshine of the Spotless Mind: Do Clementine and Joel Stay Together or Not?

                    Maybe. The answer is maybe.             Not wanting to be that guy who teases a definitive answer to a difficult question and forces you to read a ten-page essay only to cop-out with a non-committal excuse of an answer, I’m telling you up and front the answer is maybe. Though nations have long warred over this matter of great importance, the film itself does not answer once and for all whether or not Joel Barrish and Clementine Krychinzki find lasting happiness together at conclusion of the film Eternal Sunshine of the Spotless Min d. I cannot give a definitive answer as to whether Joel and Clementine’s love will last until the stars turn cold or just through the weekend. This essay cannot do that.             What this essay can do is explore the in-text evidence the film gives for either side t...