Skip to main content

The Great Movie Conquest of 2022: A Year in Review


         I recently came across a clip from a lecture that filmmaker extraordinaire, Orson Welles, gave to a class of aspiring filmmakers. The relevant bit has Welles advising his students to not watch so many movies and to allow one's storytelling to be informed by one's own experiences.

    What a time for me to stumble across this bit of counsel ... 

    I wonder if this advice, should we choose to accept it at all, is applicable more to filmmakers than to film critics. My incentive for exposing myself to as many films as possible, even during times when I'm not literally watching a new film a day, is because I want to have a wide base of knowledge for the subject I claim to be an expert in. 

    That said, I have come to observe the limitations of inhaling too much media ... 

    If you haven't heard, I set a goal this year to accelerate my study of film by watching one film I hadn't seen for each day of 2022. What a way to familiarize myself with a range of movies while also forcing myself to try out new brands of film. 

    I tried something like this some years back. That challenge took place over a summer when I was also taking classes (Media Arts History I and II) for my film degree. That challenge took place over 100 days. I once thought this was a long duration of time, I now understand that it's child's play.

    Nothing's ever fun once it becomes a chore. Routine. I found out that much very early on this year. I became so concerned with getting my daily movie out of the way before I went in for work that I would just choose the shortest film on my watch list, or something light that wouldn't demand so much attention. 

    What's more, after committing to watch a new movie every day all year, eventually they all just start to blur together, which defeats the purpose of adding 365 new individual films to your repertoire. (Will someone please remind me what Hannah and Her Sisters was even about? I honestly can't remember.) True literacy is as much about depth of knowledge as it is about breadth, and that's not a process you can just rush. 

    This all to say ... I ended up calling the race with barely over a month to go.

        One might question the rationality of dropping out with only a single lap remaining, and I will have to live with that for the rest of my life, but I also understood that any films I would viewed during the remaining 30 days of the year wouldn't have received the full attention and consideration they deserve.

    While I ultimately dropped out of this game prematurely, some lessons were learned. One that is going to stick with me is that increasing the rate at which I consumed new films does not necessarly increase the rate at which I find good movies. I didn't add a greater sum of ten-star films to my list this year, and I've thought of a number of potential reasons why. 

    It's possible that there are simply fewer ten-star films remaining. This theory doesn't inspire much hope for me. I don't love the possibility that there is a cap to the number of films I can feel unfiltered adoration for, nor that I would encounter them in decreasing frequency as I venture further and further beyond the scope of mainstream film. It can't be that all the good films are all just the films that everyone already knows about.

    I also think back on many of the films currently on my ten-star list, and how many of them did not land on said list at the start. It's common for a film to strike me as "surprisingly good" on a first viewing and only be promoted to "excellent" after I was drawn back for a third or fourth viewing. Sometimes you have to dive into a film a few times before the depths of its genius reveals itself. I'm holding out hope that as I continue to reacquaint myself with many of the films I encountered this year, I'll discover that a few of them were even better than I remembered, and maybe a few of them I will find so prophetic and so finessed in their craft that I'll be baffled that I didn't appreciate them properly the first time around. And this is another reason why I eventually couldn't help but revert back to a schedule of mostly rewatching familiar films.

    The process itself was much more meaningful once I introduced monthly themes to my exploration. I devoted May to watching films with James Stewart and August to catching up on Netflix originals. Focusing my viewings like his helped keep my intellectual pursuits in mind and find patterns between films. That isn't to say that making time for new movies ever became less of a chore, but I had a lot more to say each for my monthly reports once I had an overriding motif to direct my viewing. Of course, identifying new themes became its own box to check off, which is partly why I wasn't able to sustain the trend during those last crucial months.

    The biggest takeaway is something I probably could have foreseen beforehand but needed firsthand experience to appreciate: no one will ever see enough films. The medium has been around for over a hundred years now and new films are being released every day all around the world. I could follow this challenge for several years and I would never get anywhere close to seeing all the films ever made. I might not even get close to seeing all the important films ever made.

Charles Lane's Sidewalk Stories (1989)
    That honestly makes me a little sad. I know there are a lot of artists out there praying that someone will discover their film. Even after a filmmaker has gone through the arduous process of even making a film to begin with, studios and streaming services are constantly making decisions about what content they will support and what will be lost to the oblivion. The Youtube channel The Take recently did a piece on the crisis of vanishing content that highlights the urgency of the situation. There are a lot of meaningful films already out there that don't deserve to be lost to time. Part of my motivation behind this fool's errand was to scout out as many of these films as I could. I'm hoping that even as I return for a more manageable schedule, I will still be on the lookout for films that deserve some promotion, and I hope that likeminded film-lovers will take up the torch.

   While I haven't seen every film worth viewing, I am ready to resume a less strenuous timetable for consuming new films. The Great Movie Conquest of 2022 has fulfilled its function, and I am ready to restrategize how I go about becoming a more literate film critic. I'll get to decide what that looks like in practice over the next few weeks, but for now I'm going to spend a lot of time rewatching 150-minute movies that I haven't had time for since last December.

            --The Professor


    

    Anyways, this ordeal wouldn't be complete without a few top ten lists, so we're going to do that now: 


10 Favorite Movies From This Challenge

Top Row: Sliding Doors (1998), Central Station (1998), Captains Courageous (1937), CODA (2021), Ordinary People (1980)

Bottom Row: The Banshees of Inisherin (2022), Ben is Back (2018), Belle (2021), Ikiru (1952), Prisoners (2013)


10 Movies I Would Never Have Seen Without This Challenge

Top Row: Hell's Kitchen (1939), Cadillac Man (1990), All or Nothing (2002), My Furher (2007), Sea Prince and the Fire Child (1981) 

Bottom Row: The Wild Swans (1977), Farewell My Lady (1956), Zebraman (2004), Monos (2019), They Don't Wear Black Tie (1981)


10 Movies You Can't Believe It Took Me this Long to See


Top Row: District 9 (2009), City of God (2002), American Psycho (2000), The Green Mile (1999), Unbreakable (2000)

Bottom Row: Seven Samurai (1954), Pulp Fiction (1994), Baby Driver (2017), Braveheart (1995), Shaun of the Dead (2004)


Every Film Watched This Year:

  1. His People
  2. Shang-Chi and the Legend of the Ten Rings
  3. The Mortal Storm
  4. Begin Again
  5. Batman
  6. Alien Resurrection
  7. Grand Hotel
  8. Hans Christian Andersen
  9. Room for One More
  10. Promising Young Woman
  11. Braveheart
  12. Always Be My Maybe
  13. Delightfully Dangerous
  14. The Cider House Rules
  15. Belle
  16. Pressure Point
  17. Scream
  18. Armageddon
  19. The Wild Swans
  20. RoboCop
  21. I Am Sam
  22. Children of the Corn
  23. Tombstone
  24. The Secret Life of Pets
  25. The Fisher King
  26. Mr. Robinson Crusoe
  27. All the Right Moves
  28. Beyond the Moon
  29. The Hobbit: An Unexpected Journey
  30. Salem's Lot
  31. The Tender Bar
  32. Australia
  33. Journey to Italy
  34. Shark Tale
  35. Irma la Douce
  36. I Shot Jesse James
  37. Abominable
  38. Prisoners
  39. The Exorcist
  40. The Social Dilemma
  41. Easy A
  42. An Officer and a Gentleman
  43. World War Z
  44. The Hunchback of Notre Dame
  45. When Harry Met Sally...
  46. The Hobbit: The Desolation of Smaug
  47. Lake Placid
  48. Hollow Man
  49. The Power of the Dog
  50. The Bravados
  51. Designing Woman
  52. Rosemary's Baby
  53. The Coward
  54. Invasion of the Body Snatchers
  55. tick, tick...BOOM!
  56. The House with a Clock in Its Walls
  57. Cyrano
  58. The King of Kings
  59. Ride Your Wave
  60. A Fish Called Wanda
  61. Guest in the House
  62. About Time
  63. Scooby-Doo 2: Monsters Unleashed
  64. Hell's Kitchen
  65. American Playhouse: Sunday in the Park with George
  66. The Hobbit: The Battle of the Five Armies
  67. Diner
  68. Brute Force
  69. The Green Mile
  70. Turning Red
  71. Baby Driver
  72. Moby Dick
  73. Empire of the Sun
  74. Monos
  75. Vertical Limit
  76. The More the Merrier
  77. Mein Furher
  78. CODA
  79. Dangerous Crossing
  80. Fantastic Beasts: The Crimes of Grindelwald
  81. Nightmare Alley
  82. Splendor in the Grass
  83. Grizzly Man
  84. Theodora Goes Wild
  85. The Lost City
  86. Man of La Mancha
  87. Peter Pan
  88. Free Guy
  89. Chronicle
  90. Shane
  91. Death on the Nile
  92. The Little Mermaid
  93. Take Me Out to the Ball Game
  94. Seven Samurai
  95. (500) Days of Summer
  96. Ingrid Goes West
  97. Sweet Charity
  98. Juno
  99. Ikiru
  100. Soylent Green
  101. Princess Mononoke
  102. Unbreakable
  103. Sea Prince and the Fire Child
  104. Criss Cross
  105. Pleasantville
  106. After the Storm
  107. The Map of Tiny Perfect Things
  108. Father Stu
  109. Wanda
  110. My Dream Is Yours
  111. All or Nothing
  112. Nanook of the North
  113. Tenet
  114. The Hurricane
  115. Tokyo Story
  116. Single White Female
  117. Hannah and Her Sisters
  118. The Other Woman
  119. Zebraman
  120. Kill!
  121. Under the Tuscan Sun
  122. The Bad Guys
  123. Broken Arrow
  124. The Hollars
  125. Five Easy Pieces
  126. Love Affair
  127. St. Vincent
  128. The Flight of the Phoenix
  129. Blinded by the Light
  130. Ben-Hur
  131. Dazed and Confused
  132. Sliding Doors
  133. Take Her, She's Mine
  134. Doctor Strange in the Multiverse of Madness
  135. No Highway in the Sky
  136. Clouds
  137. Captains Courageous
  138. How to Murder Your Wife
  139. Winchester '73
  140. Corpse Bride
  141. Breaking Away
  142. Frankenstein
  143. Without Love
  144. Girl, Interrupted
  145. The Glenn Miller Story
  146. Yojimbo
  147. Postcards from the Edge
  148. Bell Book and Candle
  149. Libeled Lady
  150. Monster's Ball
  151. Raging Bull
  152. Big Eyes
  153. The Omega Man
  154. The Lure
  155. Ordinary People
  156. The Letter
  157. Sunshine Cleaning
  158. Network
  159. Mission: Impossible
  160. Boys' Night Out
  161. Jurassic World: Dominion
  162. The Two Mrs. Carrolls
  163. High and Low
  164. The Fighter
  165. The Testament of Dr. Mabuse
  166. Limitless
  167. The Scarlet Letter
  168. Office Space
  169. Marathon Man
  170. The Wings of Eagles
  171. Loving
  172. Black Gold
  173. Ghost World
  174. The Golem
  175. Elvis
  176. Too Late for Tears
  177. The River
  178. The Big Sick
  179. That Hamilton Woman
  180. Enemy of the State
  181. Blackboard Jungle
  182. Fantastic Beasts: The Secrets of Dumbledore
  183. Krull
  184. Period of Adjustment
  185. Peninsula
  186. Tora! Tora! Tora!
  187. The Men Who Stare at Goats
  188. Red Sonja
  189. Defiance
  190. On Moonlight Bay
  191. Masters of the Universe
  192. At Eternity's Gate
  193. Imitation of Life
  194. Most Dangerous Game
  195. The Golden Voyage of Sinbad
  196. Fences
  197. The Last Laugh
  198. The Dark Crystal
  199. Sing Street
  200. Viva Las Vegas
  201. Labor Day
  202. The Lord of the Rings
  203. Nope
  204. Wall Street
  205. Bright Eyes
  206. Antwone Fisher
  207. Witness for the Prosecution
  208. Seeking a Friend for the End of the World
  209. Return to Oz
  210. Bohemian Rhapsody
  211. On the Beach
  212. A Letter to Three Wives
  213. Eternals
  214. The Humpbacked Horse
  215. The Adam Project
  216. Hooper
  217. Pulp Fiction
  218. Elmer Gantry
  219. Lonesome
  220. Passing
  221. The Wages of Fear
  222. Deadpool
  223. Blood on the Moon
  224. Extraction
  225. A Fistful of Dollars
  226. The Sea Beast
  227. Licorice Pizza
  228. Ivanhoe
  229. The Guernsey Literary and Potato Peel Pie Society
  230. Working Girl
  231. The Talented Mr. Ripley
  232. Lolita
  233. Master and Commander: The Far Side of the World
  234. Key Largo
  235. Beasts of No Nation
  236. Shaun of the Dead
  237. The Phantom from 10,000 Leagues
  238. Samaritan
  239. The Irishman
  240. The Big Sleep
  241. The Big Short
  242. The Postman Always Rings Twice
  243. City of God
  244. Lightyear
  245. Feet First
  246. Sidewalk Stories
  247. Mister Roberts
  248. Honey, I Shrunk the Kids
  249. Central do Brasil
  250. Saboteur
  251. Pinocchio
  252. Salem's Lot
  253. Fantastic Voyage
  254. Damn Yankees
  255. Erin Brockovich
  256. The Thing
  257. Bye Bye Brasil
  258. Sorry to Bother You
  259. Now, Voyager
  260. 50/50
  261. Nausica of the Valley of the Wind
  262. Blood Diamond
  263. They Don't Wear Black-Tie
  264. Cadillac Man
  265. Paris Blues
  266. King Richard
  267. Deliverance
  268. Dick Johnson Is Dead
  269. The Bad and the Beautiful
  270. I.Q.
  271. Thor: Love and Thunder
  272. Jagga Jasoos
  273. The Perfect Storm
  274. San Francisco
  275. Rodan
  276. Big Fish & Begonia
  277. American Psycho
  278. It Happened on Fifth Avenue
  279. The Day the Earth Stood Still
  280. Amsterdam
  281. That's Entertainment!
  282. Original Cast Album: Company
  283. Mr. & Mrs. Smith
  284. Sleepy Hollow
  285. Misery
  286. The Idle Class
  287. The 40 Year Old Virgin
  288. The Rocky Horror Picture Show
  289. Hocus Pocus 2
  290. Close Encounters of the Third Kind
  291. Uncharted
  292. Ben Is Back
  293. The Savages
  294. Harper
  295. Jackie Brown
  296. Cat's Eye
  297. Dracula Untold
  298. The American President
  299. The Darjeeling Limited
  300. Futureworld
  301. District 9
  302. Nothing to Lose
  303. Moonfall
  304. Fright Night
  305. DC League of Super-Pets
  306. The Little Mermaid
  307. Here Comes Mr. Jordan
  308. The Banshees of Inisherin
  309. The Adventurer
  310. The Pelican Brief
  311. Fatherhood
  312. Reflections in a Golden Eye
  313. Titan A.E.
  314. Till the End of Time
  315. Black Panther: Wakanda Forever
  316. Swingers
  317. A Tale of Two Cities
  318. Up in the Air
  319. Training Day
  320. Good-bye, My Lady
  321. Missing Link
  322. Disenchanted
  323. Guillermo del Toro's Pinocchio
  324. The Ladykillers
  325. Topper
  326. Rent
  327. Strange World
  328. My Father's Dragon
  329. The Guardians of the Galaxy: Holiday Special
  330. Glass Onion: A Knives Out Mystery


Comments

Popular posts from this blog

We're Back! a Dinosaur's Story - Getting Lost in the "Last Frontier of Imagination"

Last month, Variety ran a piece observing, “Hollywood Can’t Survive Without Animation. So Why Won’t the Industry Respect It?” by Clayton Davis, who reported , “In the nearly five decades that domestic grosses have been tracked, an animated film has finished the year as the No. 1 release just seven times, beginning with Disney’s “Aladdin” in 1992. Now the medium is having an unprecedented run, with “Inside Out 2” and “Zootopia 2” topping the last two calendar years (a first for animated movies to lead the box office for two consecutive years) and the latter becoming the highest-grossing animated film ever domestically. “The Super Mario Galaxy Movie” is leading 2026 so far and is the only film to cross $1 billion. Setting aside the 2020 and 2021 pandemic seasons, which emptied theaters of family films, animated features have made up about 20% of the year’s 10 top-grossing releases over the past decade. And yet, the artists who make these movies have rarely felt less valued: In May 2024, ...

My Criminal Father Surrogate: Masculinity in A Perfect World

     I've been wanting to tackle the subject of "masculinity" in film for quite some time now, but I hadn't quite known how best to do that. There's a certain buzzword, "toxic masculinity," that especially elicits a lot of strong feelings from a lot of different angles. While a post-#MeToo world has exposed some very disturbing truths about the way masculinity has historically performed, I'm not here to roast 50% of the world population. Actually, I really want to talk about a man's capacity for good. Ted Lasso (2020)      There’s certainly a lot of discussion to be had for newer media celebrating men for possessing attributes not historically coded as "manly." But what's even more fascinating to me are the attempts to bridge the gap between traditional masculinity and new age expectations--to reframe an older vision of manhood within our modern context.       Which brings me to Clint Eastwood’s 1993 film, A Perfect World.   ...

REVIEW: Spider-Man - Brand New Day

      Somewhere in the multiverse, there's an opening chord of a review where I celebrate Spiderman: Brand New Day as some kind of welcome "return to basics" for the MCU, but that's not more than partially true.       This movie is a lot more straightforward than cohesive than most Marvel pics from the early stretch of the decade. Feige finally feels confident that, yes, we know that there's a multiverse, and we don't need more reminders.     But this is also not a budget Marvel movie. The film still designs an elaborate fireworks show for Peter Parker to dance around. There is also definite signaling for future Marvel adventures. Sadie Sink's stealth role in this movie (a sizzling introduction into the MCU) teases the integration of a new family of superheroes set to join the ranks of The New Avengers.      But these sneak peeks feel like just that, and unlike sloppier Marvel pics, they aren't made to bear the weight of the e...

REVIEW: The End of Oak Street

      There's something vaguely Spielberg about The End of Oak Street , and I don't really even mean the dinosaurs, which look quite a bit different from the CG masterworks of the seminal '93 film.      The Platts are a conventional American family living in 1980s suburbia who are caught in a bizarre time anomaly that sends their entire neighborhood back to the prehistoric age.  What follows plays like a more visceral rendition of '95 Jumanji . There's a very PG13 level of blood onscreen. But most of the anxiety derives from just how unceremoniously the dinosaurs are seen snacking on the neighbors.  Without ever feeling like it's trying to outsmart the audience, the film drives home the idea that, yeah, if your street was sucked into a wormhole, the dinos would get you too--and probably without even needing to try hard.      Among many other things, the movie is a masterclass in filmmaking tension. Amidst a stampede of gigantic fang...

REVIEW: The Rivals of Amziah King

    The first note I made for this film is that I knew a bunch of cowboys growing up. But I regretfully did not know any who were just so willing to burst into song.      I thought then that I knew what I was getting into with this movie. But I could not anticipate what this story would try to feed me.      The movie sees Amziah King, a good-natured beekeeper, smalltown musician, and all-around good dude, sorting through some business deals as he happens to reunite with his former foster-daughter, Kateri. Crossing paths again allows them to mutually rediscover what they gave to each other as two people who lifted each other up. But when King's entire stock is stolen at the worst possible moment, Kateri gets to step-up and defend what is theirs.      Amziah King is McConaughey at his most endearing. His ability to put the viewer at ease is the film's greatest trick. I've heard some buzz about this being his best performance ever. I'd...

Hating Disney Princesses Has Never Been Feminist pt. 1

     Because the consumption of art, even in a capitalist society, is such a personal experience, it can be difficult to quantify exactly how an individual interprets and internalizes the films they are participating in.      We filter our artistic interpretations through our own personal biases and viewpoints, and this can sometimes lead to a person or groups assigning a reading to a work that the author did not design and may not even accurately reflect the nature of the work they are interacting with (e.g. the alt-right seeing Mel Brooks’ The Producers as somehow affirming their disregard for political correctness when the film is very much lampooning bigotry and Nazis specifically). We often learn as much or more about a culture by the way they react to a piece of media as we do from the media itself. Anyways, you know where this is going. Let’s talk about Disney Princesses. Pinning down exactly when Disney Princesses entered the picture is a hard thi...

Thawing Disney's Frozen Heart

  As a millennial Disney fan and film student in utero, growing up I often thought about what it would have been like to be there when Aladdin or The Little Mermaid , or even “Snow White” or The Jungle Book , premiered to the culture. It’s one thing to grow up and realize you have a piece of film history with you here in your living room. It’s another to get to watch the culture transform as it engages for the first time with something  And I have this envy for a great many cinematic works. Like, what I would give to go back to 1946 and tell those losers who dismissed It's a Wonderful Life how they had no idea what they were sleeping on. But the Disney canon’s place within the culture is also specific. Their commitment to delivering hopeful stories to an audience that believes itself beyond such frailties as faith or kindness is unparalleled, and that makes their contributions worth studying and celebrating. And so I didn’t take it for granted during that period in late ...

How Disney Liberated the Musical Genre

Anytime I’m getting ready for a new musical film, I generally try to put off listening to the soundtrack until after I’ve seen the movie. It’s just my way of ensuring that I experience the narrative in its full context upon its important premiere viewing. Most of the time I’m good about sticking to this, but nowhere is this feat harder than with the arrival of each new Disney musical.     I tried really hard with Encanto , but with Lin-Manuel Miranda writing for Disney, what can I say (except "You're Welcome"...) So, why am I talking about Disney musicals?     W hen I premiered my Jungle Book essay earlier this year, I decided that going forward I was ready to expand how I talked about Disney. Owing to Disney fans constantly having to justify their fandom, a lot of Disney discourse tends to be purely defensive. Disney fans only ever get to use their platform to try convincing the cool kids that--for the last time!--it's okay for adults without kids to go to...

There's No Such Thing as "Pixar Good" Part 1: The Golden Age

                Though "the critics" are an everpresent entity in the film conversation, t he only exposure most moviegoers have to actual film criticism beyond just checking a film’s score on Rotten Tomatoes is on the yearly “For Your Consideration” ads that start popping up around bus stops when studios go bowling for Oscar nominations. Take this ad for Damien Chazelle’s awards frontrunner  La La Land,  which includes excerpts from reviews by various film critics, including  Owen Gleiberman.  The ad spotlights this passage from Gleiberman’s review: “That’s why it feels so right, in ‘La La Land,’ to see a daring filmmaker go whole hog in re-creating a lavish studio-system musical, replete with starry nights and street lamps lighting up the innocence of soft-shoe romance, and two people who were meant for each other literally dancing on air.”     There is a lot we can dig into with this tagline cri...

The Banshees of Inisherin: The Death Knell of Male Friendship

           I’m going to go out on a limb today and put out the idea that our society is kind of obsessed with romance. In popular storytelling, t he topic has two whole genres to itself (romantic-comedy, romantic-drama), which gives it a huge slice of the media pie. Yet even in narratives where romance is not the focus, it still has this standing invitation to weave itself onto basically any kind of story. It’s almost more worth remarking upon when a story doesn’t feature some subplot with the main character getting the guy or the girl. Annie Hall (1977)      And it’s also not just the romantic happy ending that we’re obsessed with. Some of the most cathartic stories of romance see the main couple breaking up or falling apart, and there’s something to be gained from seeing that playing out on screen as well. But what’s interesting is that it is assumed that a person has a singular “one and only” romantic partner. By contras...