Skip to main content

The Great Movie Conquest of 2022: A Year in Review


         I recently came across a clip from a lecture that filmmaker extraordinaire, Orson Welles, gave to a class of aspiring filmmakers. The relevant bit has Welles advising his students to not watch so many movies and to allow one's storytelling to be informed by one's own experiences.

    What a time for me to stumble across this bit of counsel ... 

    I wonder if this advice, should we choose to accept it at all, is applicable more to filmmakers than to film critics. My incentive for exposing myself to as many films as possible, even during times when I'm not literally watching a new film a day, is because I want to have a wide base of knowledge for the subject I claim to be an expert in. 

    That said, I have come to observe the limitations of inhaling too much media ... 

    If you haven't heard, I set a goal this year to accelerate my study of film by watching one film I hadn't seen for each day of 2022. What a way to familiarize myself with a range of movies while also forcing myself to try out new brands of film. 

    I tried something like this some years back. That challenge took place over a summer when I was also taking classes (Media Arts History I and II) for my film degree. That challenge took place over 100 days. I once thought this was a long duration of time, I now understand that it's child's play.

    Nothing's ever fun once it becomes a chore. Routine. I found out that much very early on this year. I became so concerned with getting my daily movie out of the way before I went in for work that I would just choose the shortest film on my watch list, or something light that wouldn't demand so much attention. 

    What's more, after committing to watch a new movie every day all year, eventually they all just start to blur together, which defeats the purpose of adding 365 new individual films to your repertoire. (Will someone please remind me what Hannah and Her Sisters was even about? I honestly can't remember.) True literacy is as much about depth of knowledge as it is about breadth, and that's not a process you can just rush. 

    This all to say ... I ended up calling the race with barely over a month to go.

        One might question the rationality of dropping out with only a single lap remaining, and I will have to live with that for the rest of my life, but I also understood that any films I would viewed during the remaining 30 days of the year wouldn't have received the full attention and consideration they deserve.

    While I ultimately dropped out of this game prematurely, some lessons were learned. One that is going to stick with me is that increasing the rate at which I consumed new films does not necessarly increase the rate at which I find good movies. I didn't add a greater sum of ten-star films to my list this year, and I've thought of a number of potential reasons why. 

    It's possible that there are simply fewer ten-star films remaining. This theory doesn't inspire much hope for me. I don't love the possibility that there is a cap to the number of films I can feel unfiltered adoration for, nor that I would encounter them in decreasing frequency as I venture further and further beyond the scope of mainstream film. It can't be that all the good films are all just the films that everyone already knows about.

    I also think back on many of the films currently on my ten-star list, and how many of them did not land on said list at the start. It's common for a film to strike me as "surprisingly good" on a first viewing and only be promoted to "excellent" after I was drawn back for a third or fourth viewing. Sometimes you have to dive into a film a few times before the depths of its genius reveals itself. I'm holding out hope that as I continue to reacquaint myself with many of the films I encountered this year, I'll discover that a few of them were even better than I remembered, and maybe a few of them I will find so prophetic and so finessed in their craft that I'll be baffled that I didn't appreciate them properly the first time around. And this is another reason why I eventually couldn't help but revert back to a schedule of mostly rewatching familiar films.

    The process itself was much more meaningful once I introduced monthly themes to my exploration. I devoted May to watching films with James Stewart and August to catching up on Netflix originals. Focusing my viewings like his helped keep my intellectual pursuits in mind and find patterns between films. That isn't to say that making time for new movies ever became less of a chore, but I had a lot more to say each for my monthly reports once I had an overriding motif to direct my viewing. Of course, identifying new themes became its own box to check off, which is partly why I wasn't able to sustain the trend during those last crucial months.

    The biggest takeaway is something I probably could have foreseen beforehand but needed firsthand experience to appreciate: no one will ever see enough films. The medium has been around for over a hundred years now and new films are being released every day all around the world. I could follow this challenge for several years and I would never get anywhere close to seeing all the films ever made. I might not even get close to seeing all the important films ever made.

Charles Lane's Sidewalk Stories (1989)
    That honestly makes me a little sad. I know there are a lot of artists out there praying that someone will discover their film. Even after a filmmaker has gone through the arduous process of even making a film to begin with, studios and streaming services are constantly making decisions about what content they will support and what will be lost to the oblivion. The Youtube channel The Take recently did a piece on the crisis of vanishing content that highlights the urgency of the situation. There are a lot of meaningful films already out there that don't deserve to be lost to time. Part of my motivation behind this fool's errand was to scout out as many of these films as I could. I'm hoping that even as I return for a more manageable schedule, I will still be on the lookout for films that deserve some promotion, and I hope that likeminded film-lovers will take up the torch.

   While I haven't seen every film worth viewing, I am ready to resume a less strenuous timetable for consuming new films. The Great Movie Conquest of 2022 has fulfilled its function, and I am ready to restrategize how I go about becoming a more literate film critic. I'll get to decide what that looks like in practice over the next few weeks, but for now I'm going to spend a lot of time rewatching 150-minute movies that I haven't had time for since last December.

            --The Professor


    

    Anyways, this ordeal wouldn't be complete without a few top ten lists, so we're going to do that now: 


10 Favorite Movies From This Challenge

Top Row: Sliding Doors (1998), Central Station (1998), Captains Courageous (1937), CODA (2021), Ordinary People (1980)

Bottom Row: The Banshees of Inisherin (2022), Ben is Back (2018), Belle (2021), Ikiru (1952), Prisoners (2013)


10 Movies I Would Never Have Seen Without This Challenge

Top Row: Hell's Kitchen (1939), Cadillac Man (1990), All or Nothing (2002), My Furher (2007), Sea Prince and the Fire Child (1981) 

Bottom Row: The Wild Swans (1977), Farewell My Lady (1956), Zebraman (2004), Monos (2019), They Don't Wear Black Tie (1981)


10 Movies You Can't Believe It Took Me this Long to See


Top Row: District 9 (2009), City of God (2002), American Psycho (2000), The Green Mile (1999), Unbreakable (2000)

Bottom Row: Seven Samurai (1954), Pulp Fiction (1994), Baby Driver (2017), Braveheart (1995), Shaun of the Dead (2004)


Every Film Watched This Year:

  1. His People
  2. Shang-Chi and the Legend of the Ten Rings
  3. The Mortal Storm
  4. Begin Again
  5. Batman
  6. Alien Resurrection
  7. Grand Hotel
  8. Hans Christian Andersen
  9. Room for One More
  10. Promising Young Woman
  11. Braveheart
  12. Always Be My Maybe
  13. Delightfully Dangerous
  14. The Cider House Rules
  15. Belle
  16. Pressure Point
  17. Scream
  18. Armageddon
  19. The Wild Swans
  20. RoboCop
  21. I Am Sam
  22. Children of the Corn
  23. Tombstone
  24. The Secret Life of Pets
  25. The Fisher King
  26. Mr. Robinson Crusoe
  27. All the Right Moves
  28. Beyond the Moon
  29. The Hobbit: An Unexpected Journey
  30. Salem's Lot
  31. The Tender Bar
  32. Australia
  33. Journey to Italy
  34. Shark Tale
  35. Irma la Douce
  36. I Shot Jesse James
  37. Abominable
  38. Prisoners
  39. The Exorcist
  40. The Social Dilemma
  41. Easy A
  42. An Officer and a Gentleman
  43. World War Z
  44. The Hunchback of Notre Dame
  45. When Harry Met Sally...
  46. The Hobbit: The Desolation of Smaug
  47. Lake Placid
  48. Hollow Man
  49. The Power of the Dog
  50. The Bravados
  51. Designing Woman
  52. Rosemary's Baby
  53. The Coward
  54. Invasion of the Body Snatchers
  55. tick, tick...BOOM!
  56. The House with a Clock in Its Walls
  57. Cyrano
  58. The King of Kings
  59. Ride Your Wave
  60. A Fish Called Wanda
  61. Guest in the House
  62. About Time
  63. Scooby-Doo 2: Monsters Unleashed
  64. Hell's Kitchen
  65. American Playhouse: Sunday in the Park with George
  66. The Hobbit: The Battle of the Five Armies
  67. Diner
  68. Brute Force
  69. The Green Mile
  70. Turning Red
  71. Baby Driver
  72. Moby Dick
  73. Empire of the Sun
  74. Monos
  75. Vertical Limit
  76. The More the Merrier
  77. Mein Furher
  78. CODA
  79. Dangerous Crossing
  80. Fantastic Beasts: The Crimes of Grindelwald
  81. Nightmare Alley
  82. Splendor in the Grass
  83. Grizzly Man
  84. Theodora Goes Wild
  85. The Lost City
  86. Man of La Mancha
  87. Peter Pan
  88. Free Guy
  89. Chronicle
  90. Shane
  91. Death on the Nile
  92. The Little Mermaid
  93. Take Me Out to the Ball Game
  94. Seven Samurai
  95. (500) Days of Summer
  96. Ingrid Goes West
  97. Sweet Charity
  98. Juno
  99. Ikiru
  100. Soylent Green
  101. Princess Mononoke
  102. Unbreakable
  103. Sea Prince and the Fire Child
  104. Criss Cross
  105. Pleasantville
  106. After the Storm
  107. The Map of Tiny Perfect Things
  108. Father Stu
  109. Wanda
  110. My Dream Is Yours
  111. All or Nothing
  112. Nanook of the North
  113. Tenet
  114. The Hurricane
  115. Tokyo Story
  116. Single White Female
  117. Hannah and Her Sisters
  118. The Other Woman
  119. Zebraman
  120. Kill!
  121. Under the Tuscan Sun
  122. The Bad Guys
  123. Broken Arrow
  124. The Hollars
  125. Five Easy Pieces
  126. Love Affair
  127. St. Vincent
  128. The Flight of the Phoenix
  129. Blinded by the Light
  130. Ben-Hur
  131. Dazed and Confused
  132. Sliding Doors
  133. Take Her, She's Mine
  134. Doctor Strange in the Multiverse of Madness
  135. No Highway in the Sky
  136. Clouds
  137. Captains Courageous
  138. How to Murder Your Wife
  139. Winchester '73
  140. Corpse Bride
  141. Breaking Away
  142. Frankenstein
  143. Without Love
  144. Girl, Interrupted
  145. The Glenn Miller Story
  146. Yojimbo
  147. Postcards from the Edge
  148. Bell Book and Candle
  149. Libeled Lady
  150. Monster's Ball
  151. Raging Bull
  152. Big Eyes
  153. The Omega Man
  154. The Lure
  155. Ordinary People
  156. The Letter
  157. Sunshine Cleaning
  158. Network
  159. Mission: Impossible
  160. Boys' Night Out
  161. Jurassic World: Dominion
  162. The Two Mrs. Carrolls
  163. High and Low
  164. The Fighter
  165. The Testament of Dr. Mabuse
  166. Limitless
  167. The Scarlet Letter
  168. Office Space
  169. Marathon Man
  170. The Wings of Eagles
  171. Loving
  172. Black Gold
  173. Ghost World
  174. The Golem
  175. Elvis
  176. Too Late for Tears
  177. The River
  178. The Big Sick
  179. That Hamilton Woman
  180. Enemy of the State
  181. Blackboard Jungle
  182. Fantastic Beasts: The Secrets of Dumbledore
  183. Krull
  184. Period of Adjustment
  185. Peninsula
  186. Tora! Tora! Tora!
  187. The Men Who Stare at Goats
  188. Red Sonja
  189. Defiance
  190. On Moonlight Bay
  191. Masters of the Universe
  192. At Eternity's Gate
  193. Imitation of Life
  194. Most Dangerous Game
  195. The Golden Voyage of Sinbad
  196. Fences
  197. The Last Laugh
  198. The Dark Crystal
  199. Sing Street
  200. Viva Las Vegas
  201. Labor Day
  202. The Lord of the Rings
  203. Nope
  204. Wall Street
  205. Bright Eyes
  206. Antwone Fisher
  207. Witness for the Prosecution
  208. Seeking a Friend for the End of the World
  209. Return to Oz
  210. Bohemian Rhapsody
  211. On the Beach
  212. A Letter to Three Wives
  213. Eternals
  214. The Humpbacked Horse
  215. The Adam Project
  216. Hooper
  217. Pulp Fiction
  218. Elmer Gantry
  219. Lonesome
  220. Passing
  221. The Wages of Fear
  222. Deadpool
  223. Blood on the Moon
  224. Extraction
  225. A Fistful of Dollars
  226. The Sea Beast
  227. Licorice Pizza
  228. Ivanhoe
  229. The Guernsey Literary and Potato Peel Pie Society
  230. Working Girl
  231. The Talented Mr. Ripley
  232. Lolita
  233. Master and Commander: The Far Side of the World
  234. Key Largo
  235. Beasts of No Nation
  236. Shaun of the Dead
  237. The Phantom from 10,000 Leagues
  238. Samaritan
  239. The Irishman
  240. The Big Sleep
  241. The Big Short
  242. The Postman Always Rings Twice
  243. City of God
  244. Lightyear
  245. Feet First
  246. Sidewalk Stories
  247. Mister Roberts
  248. Honey, I Shrunk the Kids
  249. Central do Brasil
  250. Saboteur
  251. Pinocchio
  252. Salem's Lot
  253. Fantastic Voyage
  254. Damn Yankees
  255. Erin Brockovich
  256. The Thing
  257. Bye Bye Brasil
  258. Sorry to Bother You
  259. Now, Voyager
  260. 50/50
  261. Nausica of the Valley of the Wind
  262. Blood Diamond
  263. They Don't Wear Black-Tie
  264. Cadillac Man
  265. Paris Blues
  266. King Richard
  267. Deliverance
  268. Dick Johnson Is Dead
  269. The Bad and the Beautiful
  270. I.Q.
  271. Thor: Love and Thunder
  272. Jagga Jasoos
  273. The Perfect Storm
  274. San Francisco
  275. Rodan
  276. Big Fish & Begonia
  277. American Psycho
  278. It Happened on Fifth Avenue
  279. The Day the Earth Stood Still
  280. Amsterdam
  281. That's Entertainment!
  282. Original Cast Album: Company
  283. Mr. & Mrs. Smith
  284. Sleepy Hollow
  285. Misery
  286. The Idle Class
  287. The 40 Year Old Virgin
  288. The Rocky Horror Picture Show
  289. Hocus Pocus 2
  290. Close Encounters of the Third Kind
  291. Uncharted
  292. Ben Is Back
  293. The Savages
  294. Harper
  295. Jackie Brown
  296. Cat's Eye
  297. Dracula Untold
  298. The American President
  299. The Darjeeling Limited
  300. Futureworld
  301. District 9
  302. Nothing to Lose
  303. Moonfall
  304. Fright Night
  305. DC League of Super-Pets
  306. The Little Mermaid
  307. Here Comes Mr. Jordan
  308. The Banshees of Inisherin
  309. The Adventurer
  310. The Pelican Brief
  311. Fatherhood
  312. Reflections in a Golden Eye
  313. Titan A.E.
  314. Till the End of Time
  315. Black Panther: Wakanda Forever
  316. Swingers
  317. A Tale of Two Cities
  318. Up in the Air
  319. Training Day
  320. Good-bye, My Lady
  321. Missing Link
  322. Disenchanted
  323. Guillermo del Toro's Pinocchio
  324. The Ladykillers
  325. Topper
  326. Rent
  327. Strange World
  328. My Father's Dragon
  329. The Guardians of the Galaxy: Holiday Special
  330. Glass Onion: A Knives Out Mystery


Labels:

Comments

Post a Comment

Popular posts from this blog

REVIEW: HOPPERS

     In the 1950s under the threat of nuclear warfare, Hollywood premiered such exercises as The Day the Earth Stood Still or War of the Worlds where an alien power would pass judgment on humankind, holding its fate in its hands. Here in the 2020s under the shadow of such threats as climate change, Hollywood sends to be our judge ... beavers.     Let me back up ...      Daniel Chong's new film from Pixar Animation, Hoppers , sees  Mabel (Piper Curda), a college student whose self-appointed mission is to preserve the glade where she used to find sanctuary with her now deceased grandmother. Her biggest opponent is hometown boy and beloved mayor, Jerry (Jon Hamm), who has designs to plow over the glade in order to open his new freeway--estimated to save travelers four whole minutes of commuting.       Mabel gets her golden opportunity when she uncovers secret technology pioneered by her professor which allows a human to rem...
Post a Comment
Read more

An Earnest Defense of Passengers

          I've heard a lot of back and forth over what the purpose of film is and what we should ask from it. Film as a social amenity kind of has a dual purpose. It's supposed to give the population common ground and find things that people of varying backgrounds and beliefs can unify around. On the other hand, film also creates this detached simulated reality through which we can explore complex and even testing ideas about the contradictions in human existence.     In theory, a film can fulfill both functions, but movies exist in a turbulent landscape. It's very rare for a film to try to walk both lanes, and it's even rarer for a film to be embraced upon entry for attempting to do so.  Let me explain by describing the premise of one of my favorite movies, Morten Tyldum's 2016 film, Passengers .      A key piece of this film ’s plot revolves around the main character, Jim Preston, a passenger onboard a spaceship, who premat...
1 comment
Read more

The Night of the Hunter: Redefining "Childlike Innocence"

I n the early 1960s, American professor and psychologist, Lawrence Kohlberg developed what is now considered to be a fundamental cornerstone of understanding humans and morality. He introduced a model by which human beings start out determining what is right and wrong based on which course of action elicits the least punishment. Successful movement through this model sees a person gradually becoming motivated by principles , not simple reward or punishment, and Kohlberg anticipated that a person did not achieve this stage until adulthood, if ever. How the Grinch Stole Christmas (2000)     This is interesting because t he media likes to cast children as vessels of uncompromised goodness that adults could only ever hope to emulate. T heir purity forms the bedrock of much of American conversation. Because the future hinges upon their innocence, efforts to preserve their unblemished state can go to any length. You can justify any number of actions as long as you are doing i...
Post a Comment
Read more

Toy Story 4: Pixar's Tribute to Regression

          It was about this time last year that I came across the one person who actually hated Toy Story 3 .          I was reading Jason Sperb’s book “Flickers of Film: Nostalgia in the Age of Digital Cinema” as part of my research for my essay on Who Framed Roger Rabbit and Pokemon: Detective Pikachu . It was in one of his chapters on the Pixar phenomenon that he shared his observation from the ending of Toy Story 3 , essentially casting the film as this nostalgia mousetrap for adults: “ If Andy lets go of his childhood nostalgia and moves on, then Toy Story fans don’t really have to , as the narrative recognition in the potential value in such an act is sufficient. Actually moving on becomes indefinitely deferred in an endless cycle of consumption (rewatching the movies, purchasing new versions of the movie, purchasing more and more Toy Story-related merchandise, rewatching them yet again with the next generat...
2 comments
Read more

My Best Friend's Wedding: Deconstructing the Deconstructive Rom-Com

  Well, Wicked is doing laps around the box office, so it looks as though the Hollywood musical is saved, at least for a season, so I guess we’ll turn our attention to another neglected genre.           As with something like the musical, the rom-com is one of those genres that the rising generation will always want to interrogate, to catch it on its lie. The whole thing seems to float on fabrication and promising that of which we can always be skeptical—the happy ending. This is also why they’re easy to make fun of and are made to feel second-tier after “realer” films which aren’t building a fantasy. You know? Movies like Die Hard …  We could choose any number of rom-coms, but the one that I feel like diving into today is 1997’s underrated My Best Friend’s Wedding . I’m selecting it for a number of reasons. Among these is my own personal fondness for the film, and also the fact that it boasts a paltry 6.3 on IMDb despite its ...
Post a Comment
Read more

REVIEW: Star Wars - The Mandalorian and Grogu

      I haven't historically considered myself a "Star Wars" kid. And to be clear, I take no pride in saying that or anything. I respect the property and what it's given to pop culture.      But I do feel like it's worth mentioning in this review that I didn't really go into Jon Favreu's The Mandalorian and Grogu thinking I had much of what I'd call nostalgia for this movie to exploit.       And yet watching this movie, I found myself hearkening back to the things about Star Wars that caught my attention as a kid. For me, that was the gladiator-style match in "Attack of the Clones." This film offers quite a few roller-coasters along those lines. And as far as the creature designs go for the monsters in these arenas, they were quite good. I wasn't trying too hard to anticipate which were computer-generated and which were puppeted, but the aesthetics of both the Jim Henson era and the Spielberg era sat very well here in this vessel....
Post a Comment
Read more

REVIEW: The Super Mario Galaxy Movie

    The fanboy renaissance manages to reach even higher heights with the new "Super Mario Galaxy Movie." The easter eggs and cameos are back with a vengeance, and in much richer resolution than we'd have thought possible even five years ago.     It's for this kind of thing that the movie will be called "wish fulfillment" for video game nerds, but I personally felt fed as an animation enthusiast. To see such caricatured designs playing on such a vivid, textured playground is a rarity. It's only when you see the bricks of a giant, fairy-tale castle splintering and disintegrating that you feel like this world has weight, consequences, and there is something about that which feels strangely validating. And as with the last movie, as with the Mario universe as a whole, the animated world's command over its own landscape lets you swim between all sorts of exotic and eclectic locales and genres at leisure.          Every single cast member...
Post a Comment
Read more

All The Ways Sunset Boulevard Has Aged Gracefully

So, stop me if you’ve heard this before: Hollywood has a dark side.          Particularly in the wake of something like #MeToo or the double strikes of 2023, you can really get a sense for just how famishing, even degrading, it can be trying to make a living in Hollywood. But of course, it all goes back much further than those. One of my very first essays for this blog, for example, was a catalogue of all the ways Hollywood ravaged Judy Garland . Yet for all its mess, we cannot take our eyes off of Hollywood, or the people who build it.  Stardom in particular becomes a popular focal point—what is it really like being on the other side of all that spotlighting? And Hollywood has naturally supplied the market with all sorts of imaginings for this as well. Thus, each generation gets its own version of A Star is Born. John Wayne and Maureen O'Hara in The Quiet Man (1952)      Ty Burr wrote in his landmark work, Gods Like Us , “...
Post a Comment
Read more

The Pleasantville Lie

Lynn Hunt, American Historical Association, University of California 2002, is best known for her 2007 work Inventing Human Rights , a cornerstone for academic work on the history of human interaction. This landmark work tracked the developing concept of human empathy across European history, especially the function that art and literature played in allowing humans to recognize the interiority and dignity of other humans who were different from them. But in 2002, she shared in the May Issue of Perspectives on History her observations in “presentism,” and the uphill battle of even getting students to engage with history at all, Gladiator (2000) “Presentism, at its worst, encourages a kind of moral complacency and self-congratulation. Interpreting the past in terms of present concerns usually leads us to find ourselves morally superior; the Greeks had slavery, even David Hume was a racist, and European women endorsed imperial ventures. Our forebears constantly fail to measure up to our ...
Post a Comment
Read more

Fine, I Will Review The Percy Jackson Show (again)

     I have wondered if I was the only one who thought that "Sea of Monsters" was the weakest of the Percy Jackson and the Olympians pentalogy, but I have seen my reading echoed by other book loyalists.      This second installment is perhaps penalized partially because it marks several major junctions in the larger series. This is, for example, the part of the series where the scope of the adventure really starts to enlarge. We know going in that there's an angry, deceased titan out to destroy Olympus, and that he's amassing an army, and so we need a sense that this threat is growing stronger. But this also marks a turning point in how series author, Rick Riordan, chooses to develop his main character. And so, season 2 of the Disney+ television adaptation faces similar crossroads.     Season 3 of this show is already filming as we speak, so its immediate future is already spoken for, as far as production goes. But stylistically, this second seas...
Post a Comment
Read more