Skip to main content

The Great Movie Conquest of 2022: October

 

    I kinda let myself off the hook this month by not giving myself a specific theme for what movies I hit this round. While, yes, this made the selection process a little easier, it does pose a problem for deciding what I should write about for this month's report. 

    Something that's been on my mind these last few months of the challenge is the way that, even if my rate of intaking new films has increased dramatically, the frequency with which I come across favorite films hasn't really gone up. Sometimes, it actually feels like it's declined. As the ritual of intaking a new film each day just becomes part of the routine, I am often hit with the outlandish but nonetheless troubling possibility that maybe I have just seen every movie that I like--that maybe there are just no more gems for me to discover. As my rate of enjoyment has declined these last few months, it's a possibility that feels less incredulous. 

    But sometimes I'm lucky enough to reel in a big fish that keeps me on my feet. And sometimes, after a long drought, I find a couple of them in quick succession. The first of these came right at the start of the month with San Francisco, a piece starring an underdiscussed musical presence, Jeanette MacDonald, and her romance with Clark Gable set just before the San Francisco earthquake of 1906. 

    Ben is Back has probably been my favorite movie I've encountered in the last several months of this challenge. The movie follows a young drug addict, played by Lucas Hedges, who sneaks home from treatment to spend Christmas with his family. While his mother, Julia Roberts, is thrilled to see him home, his visit brings about unintended consequences, forcing his mother to unlock the depths of her love for her wayward son and ask how far she'll go to keep him safe. It's the kind of movie that pinpoints very specific sensitivities and just barrages them with emotion. So naturally, I was deeply moved by the experience. So much so that this very viewing inspired me to start assembling a new Professor's Picks, one which, if it actually comes to fruition, you'll see in the next few months. 

    At the same time, my effort to become more literate sometimes leads me to view films that I know in my heart are only going to make me gag, but I tell myself that it's important for me to understand these films just the same. (And how can I judge these movies so harshly unless I've actually seen them, right?) I had that experience earlier this year with Deadpool, whose wanton crassness was outpaced only by its irritating smugness, and I had it again this month with The 40-Year-Old Virgin. I'd say that I hated the assumptions it made about people like Steve Carrel's character, but the movie wasn't actually any nicer to his friends. It was just universally juvenile. I honestly don't know what the lesson here is, except that maybe it's sometimes okay to judge a film by its cover?

    Only one review this month, that of David O. Russell's Amsterdam, but given that we're heading into the most crowded time of the year for new movies, I don't lament the lighter load this month. 

    As I finally approach the end of this year, I'm trying to zero in on the films that I want to check off before the challenge has concluded, while also internalizing the fact that exposing myself to the full breadth of films that deserve attention is going to be a lifelong endeavor. I very much look forward to the day when I can give myself some breathing room between new viewings, when I don't have to strain to shove a two-hour film into my schedule before I go in for my shift, but nonetheless I look at the library offered by film, a medium so expansive that I could watch a movie a day for the rest of my life and still never wrap my arms around it, and I feel nothing but gratitude. 

    Yeah, even for films like The 40 Year Old Virgin.  

                    --The Professor


A visual representation of how this challenge makes me feel. (I'm the one wearing the straps.)


October's Harvest
San Francisco (1936)
Rodan (1956)
Big Fish & Begonia (2016)
American Psycho (2000)
It Happened on Fifth Avenue (1947)
The Day the Earth Stood Still (1951)
Amsterdam (2022)
That's Entertainment (1974)
Original Cast Album Recording: Company (1970)
Mr. and Mrs. Smith (2005)
Sleepy Hollow (1999)
Misery (1990)
The Idle Class (1921)
The 40-Year-Old Virgin (2004)
The Rocky Horror Picture Show (1975)
Hocus Pocus 2 (2022)
Close Encounters of the Third Kind (1977)
Uncharted (2022)
Ben is Back (2018)
Savages (2007)
Harper (1966)
Jackie Brown (1997)
Cat's Eye (1985)
Dracula Untold (2014)
The American President (1995)
The Darjeeling Limited (2007)
Future World (1976)
District 9 (2009)
Nothing to Lose (1997)
Moonfall (2022)
Fright Night (2011)

Comments

Popular posts from this blog

Elemental: Savoring Pixar's Fading Light

I’ve only been doing this writing thing for a short while. But in that space, I have been surprised at many of the developments I’ve gotten to witness unfolding in the popular film landscape. It was only five years ago, for example, that superhero movies were still thought to be unstoppable. Here in 2025, though, we know better. But the wheels coming off the Marvel machine accompanied a shift in their whole method of production and distribution, and it didn’t take long for the natural consequences to catch up with them as verifiable issues started appearing in their films. Thor: Love and Thunder (2022) No. The development that has most surprised me has been critics and their slow-motion break-up with Pixar. The only way I know how to describe what I’ve seen over the last five years … imagine that your roommate has been stuck for a long time dating a girl who was obviously bad for him, and after he finally breaks up with her he gets back into the dating ring. All the girls he takes out ...

PROFESSOR'S PICKS: Five Lessons Hollywood Ought to Learn from the Success of WICKED

    That which has teased studios since the freak success of La La Land and The Greatest Showman has finally come to pass: Hollywood has finally launched a successful musical. Or rather, they've launched two.     The musical is sort of like the golden idol at the start of Raiders of the Lost Ark . It's valuable beyond imagination--but only if you know just how to retrieve it. There have been specific periods where the musical has yielded tremendous rewards for Hollywood, but for the greater part of the lifespan of feature-filmmaking, studios have been punished for reaching beyond their means.     Yet after ages of dormancy, t he years leading up to the Wicked movies were lined with musicals, more than we'd seen in the previous decade. A few of them were quite well crafted. Others were ... learning experiences. None really became what we'd call "mainstream."      But Wicked and Wicked: For Good have both seen rare success. I'm publishing ...

REVIEW: AVATAR - Fire and Ash

     The "Avatar" chapters have generally renewed their interest to the masses based on which exciting new locale and each new culture whichever film opts to explore.      Following that dance,  "Fire and Ash" introduces yet another Na'Vi clan, this one hailing from the scorched plains under the shadow of an erupted volcano. But their biome is decidedly less spectacular than the lush jungles of the Omaticaya or the rich coral reefs where the Metkayina dive. Between the ashen grounds of the volcano clan and the metallic fortress of the humans, this is comfortably the most monochromatic of the three Avatar films. And yet, Avatar: Fire and Ash is no less gripping for it.      And this is where the internet really starts to reckon with what us fans of the franchise have always kind of known: that the many screensavers offered by the Avatar world ... they have been  nice . But these films would have never made the impact they have if the...

The Great Movie Conquest of 2022 - Febuary

    Welcome back, one and all, to my latest attempt to justify being enslaved to a million different streaming services. My efforts to watch one new movie a day all year haven't worn me out yet, but we're not even past the first quarter yet.           My first film of the month brought me to Baz Lurhmann's Australia , and it reminded me what a beautifully mysterious animal the feature film is. My writer's brain identified a small handful of technical issues with the film's plotting, but the emotional current of the film took me to a place that was epic, even spiritual. I don't know. When a film cuts straight to the core of your psyche, do setup and payoff even matter anymore? I think this film is fated for repeated viewings over the years as I untangle my response to this film.     One of my favorite films of all time is Billy Wilder's The Apartment with Jack Lemmon and Shirley MacLaine.  You'd think, then, that learning that the t...

Year in Review: 2025

     So, I guess I’ll start out by saying that … I wasn’t kidding last year when I said I was gonna do better with reviews, folks. This is the first time in three years that my review count landed in the double digits, and I reached that benchmark barely past the year’s halfway point. My total this year landed at 19. This breaks my previous record of 17 from 2021 and also outpaces the total haul from 2024 and 2023 combined.       Once again, " WICKED " pulled through as the biggest contributor this year, and I wouldn't have had that any other way. These last two years of active anticipation have been some of the most gratifying I've ever had as a person who feels investment in moving pictures. I'm even more excited, though, for this duology to be folded into film history: that thing I really love writing about.   I will always regret not reviewing The Holdovers (2023)      In the past, I have let myself get away with checki...

Children of a Lesser God: Between Sound and Silence

    So ... you all remember how I was really annoyed by The Power of the Dog ?      I am more than perfectly fine that the award went to the much better CODA . I thought it was much more enjoyable as a piece of film, and unlike The Power of the Dog , it did showed honest interest in the community it was reporting to champion. In the case of CODA , that was, of course, the deaf community.      But it's actually not CODA I want to talk about in detail at this time. That movie's milestones exist along a timeline that extends ... further back than I can track today, but at least as far back as  March 30, 1987, when Marlee Matlin became the first deaf actor to receive an Academy Award for her performance in Children of a Lesser God . Randa Haines’ 1986 film centers on the romance between a hearing man and a deaf woman and the challenges they face. This was a major shift in how the deaf community was represented onscreen. Paul Attanasio wrote in ...

Saying Goodbye to Stranger Things

     There's a quote from critic Mark Caro that I think about a lot. I shared it back when I did my critical survey of Pixar movies . Writing about Finding Nemo , Caro wrote in the  Chicago Tribune in 2003 , "Classic film eras tend to get recognized in retrospect while we take for granted timeless works passing before our eyes. So let's pause to appreciate what's been going on at Pixar Animation Studios."      I think that captures the aspirations of all active-minded media consumers. Or at least, it ought to. "This good thing won't last forever, so savor it while it before the sun goes down."  Modern Times (1936)      But this is also a very hard mindset to access in an online culture that is always seeking to stamp labels and scores on a thing before we shove it on the conveyor belt and move on to the next parcel.       It's something I have been thinking about for the last year or so as the completion of the ...

Do You Hear the People Sing?: "Les Miserables" and the Untrained Singer

          Perhaps no film genre is as neglected in the 21 st century as the musical. With rare exception, the o nly offerings we get are the occasional Disney film, the occasional remake of a Disney film, and adaptations of Broadway stage shows. When we are graced with a proper musical film, the demand is high among musical fans for optimum musical performance, and when a musical film doesn’t deliver this, these fans are unforgiving.  From the moment talking was introduced in cinema, the musical film has been a gathering place where vocal demigods assemble in kaleidoscopic dance numbers in a whirl of cinematic ecstasy too fantastical for this world. What motivation, then, could Tom Hooper possibly have for tethering this landmark of modern musical fandom in grounded, dirty reality?       This movie’s claim to fame is the use of completely live-singing, detailed in this featurette, something no previous movie musical had attempted to...

The Notebook Has No Excuses

     The thing about film is … the more you think about it, the less sense it makes. Film tells us, even in a society obsessed with wealth and gain, “Remember, George, no man is a failure who has friends.” Film warns us that the most unnatural evil lies in wait at the Overlook Hotel and peeks out when all the guests leave for the winter–and that the heart of it resides in room 237–knowing we'll trip over ourselves wanting to open that door. Film is what makes us believe that the vessel for the deepest human emotion could be contained in a cartoon clownfish taking his unhatched cartoon son and holding him in his cartoon fin and telling him he will never let anything happen to him.  Nights of Cabiria (1957) Even when it tries to plant its feet aggressively in realism, film winds up being an inherently emotional realm. We feel safer to view and express all manners of passions or desires here in the space where the rules of propriety just don’t matter anymore. So a fa...

Pan's Labyrinth: The Fantasy and Reality of Good and Evil

     So here’s a question I’m sure no one’s asked yet: what is the point of fantasy?          Ask your resident D&D enthusiast or aspiring fantasy writer what it is about the fantasy genre that excites them so much, and you’re bound to get a variety of answers, but the topic of escapism tends to be a common thread. Sometimes the trash compactor of the real world just stinks so much, and you just need to vacation in someone else’s world. You can only stew in real world politics for so long before you just have to unwind by tracing the Jedi lineage or memorizing the rules of alomancy.  This is where you commonly run into thoughts that fantasy nerds are just incompatible with reality and are deliberately shirking any responsibility from participating in it. This mindset has a lot in common with the nostalgia stigma we discussed with “Roger Rabbit” and “Detective Pikachu.” It is also a very elitist perspective born out of the same attitude...