Skip to main content

The Great Movie Conquest of 2022 - January

This fool's errand is the fruition of an idea I've wanted to try out for years now but have always talked myself out of. Watching a new movie a day for one full year is a bit of a challenge for a number of reasons, not in the least of which being that I'm the kind of guy who likes to revisit favorites. As a film lover, I'm prone to expanding my circle and watching films I haven't seen before, I've just never watched a new film every day for a year. So why am I going to attempt to pull that off at all, and why am I going to attempt it now?

I've put off a yearlong commitment because it just felt like too much to bite off. One such time, actually, was right when I first premiered this blog. You know ... the start of 2020? The year where we had nothing to do but watch Netflix all day? Time makes fools of us all, I guess.

I doubt it's ever going to be easier to pull off such a feat, so why not now? 

    
Mostly, though, I really just want to help enliven my study of film. There are days when I am cocky enough to consider myself a critic of some expertise--I have seen a lot of movies--but the further I wade into the waters, the more I realize that there will always be more movies for me to see. More corners of the map I have yet to unlock. There are cult classics that have shaped the way movies are made today that I haven't seen. There are hidden gems begging to find their way to the mainstream that I haven't seen. There are sources of national trauma (looking at you, The Hobbit) that I haven't seen. Forcing yourself to diversify your exposure helps develop your palette, and this is a chance for me to do that in a significant way.

Anyways, some highlights from my first month into this endeavor ... 

    I hit the theaters twice in January. First with Belle, then with Scream the next week. Scream was the rare legacy sequel that arguably surpassed the film it was honoring while Belle genuinely left me reflecting on my purpose as a film critic. There was a good two-and-a-half month span this last year where I didn't much care for any of the movies that I reviewed, so I'm grateful that I got to come up for air.

    The passing of Sidney Poitier compelled me to look more into his filmography, leading me to discover Pressure Point, a fascinating intersection between the Civil Rights movement of the 1960s and America reflecting on Naziism in the nation some twenty years earlier. I'm genuinely surprised that I haven't come across this exact movie before as both topics have been thrust into the public eye in recent years in such a large way.

I feel like the world should also be aware that in 1952 Cary Grant made a film with his at the time wife, Betsy Drake, called Room for One More. I guess I'd have to research the matter more thoroughly to be sure, but this film has to be one of the earliest onscreen depictions of the foster care system. If you loved the film "Instant Family," I'd heartily recommend checking this one out.

    As recently as this week, I checked out the mini-series version of Stephen King's Salem's Lot after finishing the book this weekend. Regrettably, this adaptation did not leave me particularly impressed. It's fascinating how the film managed to translate almost all of the plot from the novel without carrying any of the personality. We're due for another film adaptation this September, and I'm praying it's much more lively than what we got here. I'm comforted remembering that the recent It movies were both leaps ahead of the 1990 miniseries based on the same novel. Perhaps we can hope for a similar jump when the new film hits theaters (I hope) this fall.

    Anyways, one-twelfth of the way into this trek, and I haven't started to burn out yet. I'm hoping that I find some new favorites with this challenge. Wish me luck. 

--The Professor


An image of The Professor bracing himself for the challenge (I'm the one in the blue)



January's Harvest:

His People (1925)
Shang-Chi and the Legend of the Ten Rings (2021)
The Mortal Storm (1940)
Begin Again (2013)
The Batman (1989)
Alien: Resurrection (1997)
The Grand Hotel (1932)
Hans Christian Andersen (1952)
Room For One More (1952)
Promising Young Woman (2020)
Braveheart (1995)
Always Be My Maybe (2019)
Delightfully Dangerous (1945)
The Cider House Rules (1999)
Belle (2021)
Pressure Point (1962)
Scream (2022)
Armageddon (1998)
The Wild Swans (1977)
Robocop (1987)
I Am Sam (2001)
Children of the Corn (1984)
Tombstone (1993)
The Secret Life of Pets (2016)
The Fisher King (1991)
Mr. Robinson Crusoe (1932)
All the Right Moves (1983)
Beyond the Moon (1954)
The Hobbit: An Unexpected Journey (2012)
Salem's Lot (1979)
The Tender Bar (2021)

Comments

  1. 1989' s Batman is the best of the Batman movies in my opinion. I love the reboot with Christian Bale but the Keaton/Nicholson version is the perfect balance of bleakness and cartoonishness. And of course it is, its a Tim Burton film.

    ReplyDelete

Post a Comment

Popular posts from this blog

REVIEW: HOPPERS

     In the 1950s under the threat of nuclear warfare, Hollywood premiered such exercises as The Day the Earth Stood Still or War of the Worlds where an alien power would pass judgment on humankind, holding its fate in its hands. Here in the 2020s under the shadow of such threats as climate change, Hollywood sends to be our judge ... beavers.     Let me back up ...      Daniel Chong's new film from Pixar Animation, Hoppers , sees  Mabel (Piper Curda), a college student whose self-appointed mission is to preserve the glade where she used to find sanctuary with her now deceased grandmother. Her biggest opponent is hometown boy and beloved mayor, Jerry (Jon Hamm), who has designs to plow over the glade in order to open his new freeway--estimated to save travelers four whole minutes of commuting.       Mabel gets her golden opportunity when she uncovers secret technology pioneered by her professor which allows a human to rem...

The Official Story: When Oppression Hits Home

  This last month, Wim Wenders, the director behind movies such as Wings of Desire (1987) and Perfect Days (2023), made a statement at the 76th Berlin Film Festival that’s been scratching at me. In his words, “Yes, movies can change the world. Not in a political way. No movie has really changed any politician’s idea, but … we can change the idea that people have of how they should live.” Wenders was speaking specifically on the subject of film festivals taking active stances on things such as the Israel-Palestine conflict, further describing, “Cinema has an incredible power of being compassionate and empathetic. The news is not empathetic. Politics is not empathetic, but movies are. And that’s our duty.”   I think the dressing of this verdict was supposed to be optimistic, but the sentiment reminded me of something that actress Jennifer Lawrence said also very recently on why she’s pulled back from using her official platforms to speak out against the Trump Administrati...

REVIEW: ONWARD

     The Walt Disney Company as a whole seems to be in constant danger of being overtaken by its own cannibalistic tendency--cashing in on the successes of their past hits at the expense of creating the kinds of stories that merited these reimaginings to begin with.       Pixar, coming fresh off a decade marked by a deluge of sequels, is certainly susceptible to this pattern as well. Though movies like Inside Out and Coco have helped breathe necessary life into the studio, audiences invested in the creative lifeblood of the studio should take note when an opportunity comes for either Disney or Pixar animation to flex their creative muscles.       This year we'll have three such opportunities between the two studios. [EDIT: Okay, maybe not. Thanks, Corona.] The first of these, ONWARD directed by Dan Scanlon, opens this weekend and paints a hopeful picture of a future where Pixar allows empathetic and novel storytelling to gui...

REVIEW: Project Hail Mary

    The elements in Project Hail Mary are all mostly straightforward and build to a fairly familiar end: drop an average Joe into an extraordinary situation where he is required to be extraordinary also, and watch extraordinary things happen. This is proven territory.      And I spent most of the time drafting this review trying to decide whether that was a point for or against the film, helmed by Phil Lord and Chris Miller--and whether that made a difference for a non-franchise piece like this, the exact kind of film we need to succeed at the box office in order to have a healthy landscape. I think the answer to that question is honestly bigger than any one film, even a reasonably well-done one such as this.     But I will say that a movie like Project Hail Mary gives me some hope, and it's my wish that the film continues to find people who will receive it with zeal. And I hope that the people who do will continue to search for other films that they...

REVIEW: AVATAR - Fire and Ash

     The "Avatar" chapters have generally renewed their interest to the masses based on which exciting new locale and which new culture whichever film opts to explore.      Following that dance,  "Fire and Ash" introduces yet another Na'Vi clan, this one hailing from the scorched plains under the shadow of an erupted volcano. But their biome is decidedly less spectacular than the lush jungles of the Omaticaya or the rich coral reefs where the Metkayina dive. Between the ashen grounds of the volcano clan and the metallic fortress of the humans, this is comfortably the most monochromatic of the three Avatar films. And yet, Avatar: Fire and Ash is no less gripping for it.      And this is where the internet really starts to reckon with what us fans of the franchise have always kind of known: that the many screensavers offered by the Avatar world ... they have been  nice . But these films would have never made the impact they have if th...

The Seven Brides for Seven Brothers Question

    I spend a lot of effort in this space trying to champion the musical genre as the peak of cinematic achievement.  And so it sometimes surprises my associates to find out that, no, I wasn't at all raised in a household that particularly favored musicals. I wasn't the kid who went out for the annual school musical or anything. My environment wasn't exactly hostile toward these things, but it actually did very little to nurture my study of the genre.  Cinderella (1950)      I obviously had exposure through things like the Disney animated musicals, which absolutely had a profound effect on the larger musical genre . But I didn’t see The Sound of Music until high school, and I didn’t see Singin’ in the Rain until college.      Seven Brides for Seven Brothers , though, it was just always there. And so I guess that's really where I got infected. I'm referring to the 1954 musical directed by Stanley Donen with music by Gene de Paul ,...

REVIEW: WICKED - For Good

      I'm conflicted about how to approach this review. I know everyone has their own yellow brick road to the myth of The Wizard of Oz as a whole and the specific Broadway adaptation that brought us all here.   I don't want to write this only for others who are familiar with the source material.       Even so, I can't help but review this from the perspective of a fan of the Broadway show--someone who has been tracking the potential for a film adaptation since before Jon M. Chu's participation was announced for the ambitious undertaking of translating one of Broadway's most electric shows onto film. I can't help but view this from the vantage point of someone who knew just how many opportunities this had to go wrong.     And it's from that vantage point that I now profess such profound relief that the gambit paid off. We truly have the " Lord of the Rings of musicals ."  I'll give last year's movie the edge for having a slightly...

The Many Fathers of Harry Potter

     Despite being a Harry Potter fan for most of my life, I didn’t make it to "Harry Potter Land" at Universal until November of 2019.      Some relatives invited me on a SoCal theme park tour, a trip which also saw my last visit to Disneyland before the shutdown. And when you and a bunch of other twenty-somethings are walking through a recreation of Hogwarts for the first time, you inevitably start playing this game where you call out every artifact on display and try to trace it back to whatever movie or even specific moment the mise en scene is trying to invoke:           There’s the greenhouse from "Chamber of Secrets." Now they’re playing the “Secrets of the Castle” track from "Prisoner of Azkaban." Here we are loading in the Room of Requirement from "Order of the Phoenix." From start to finish, the attraction, like the franchise from which it spawned, is just one giant nostalgia parade.     See, t he Wiza...

An Earnest Defense of Passengers

          I've heard a lot of back and forth over what the purpose of film is and what we should ask from it. Film as a social amenity kind of has a dual purpose. It's supposed to give the population common ground and find things that people of varying backgrounds and beliefs can unify around. On the other hand, film also creates this detached simulated reality through which we can explore complex and even testing ideas about the contradictions in human existence.     In theory, a film can fulfill both functions, but movies exist in a turbulent landscape. It's very rare for a film to try to walk both lanes, and it's even rarer for a film to be embraced upon entry for attempting to do so.  Let me explain by describing the premise of one of my favorite movies, Morten Tyldum's 2016 film, Passengers .      A key piece of this film ’s plot revolves around the main character, Jim Preston, a passenger onboard a spaceship, who premat...

My Crush on Sarah Connor is Hard to Explain

I had an experience this last fall working at a residential treatment facility for boys with behavioral issues.  My boys had been dying all week to watch Black Widow. These boys very seldom got to watch new movies while they were with us except for special field trips or when on home visits, and this movie  had only just become available on Disney+. The staff all agreed to let them have a special viewing as a reward for their deep cleaning leading up to Parents' Weekend.  I was really proud of my boys for their enthusiasm. I took it as a token of their evolving social awareness that they were as excited for a female-led superhero pic as they had been for Falcon and the Winter Soldier. My boys were becoming little feminists, or so I thought.       Imagine my disappointment when we finally watched the film and they spent the entire runtime catcalling Natasha and her sister. An entire film dedicated to a powerful heroine moving heaven and earth to liberat...