Skip to main content

PROFESSOR'S PICKS: 5 Films I Missed in 2020

 


                Given the peculiar nature of this year’s run of movies, neither a traditional “Best Films of 2020” nor a traditional “Most Anticipated Films of 2021” feel appropriate. Instead, I’m going to do something in between: A spotlight of movies that I was looking forward to in 2020 that have now been bumped into a 2021 release date. There are other films set to release in 2021 that I have on my radar (most of them simply premiering later in 2021 than originally planed), but here are five films that I missed this year in 2020.

This installment of Professor’s Picks is partway between a memorial and a forecast. Weep with me, celebrate with me, whichever jives with your inner truth. Anyways . . . five movies long eager to graduate from my list of anticipated movies.

 

1. A Quiet Place: Part II

March 20, 2020  April 23, 2021 September 17, 2021 May 28, 2021

Admittedly, I am kind of cheating with this one. The original March release date actually passed with little ceremony for me as I wasn’t yet on the Quiet Place train. I wouldn’t even see the original 2018 film until a few months into quarantine season. (What can I say? Horror films are a harder sell for me.) Eventually the universe corrected itself, and I found myself dying to see what happens next for the Abbot family.

                This sequel takes place shortly after the events of the first film when the Abbot family must abandon the home that has kept them safe and brave the outside world. Krasinski, who returns to direct the sequel, has shared that where the first film was more a study of family, this sequel is interested in community and how far you will go to help your neighbor.

There’s a lot to be said about how A Quiet Place innovates many conventions and ideologies of the horror genre (hm, someone should write an essay about that . . .) and this follow-up has every opportunity to continue in that tradition.



2. In the Heights

June 26, 2020  June 11, 2021

My reverence for the musical genre is well-documented on this blog. It’s so rare that we see Hollywood spend their dollars on a musical (it’s even rarer to see one led by a minority cast), and just as often as not, the results range from passable to Cats.

I myself am familiar with the source musical mostly by reputation, having only listened to one song in fulness (I prefer to experience a soundtrack for the first time in its narrative context). But I understand In the Heights takes place in a New York district where opportunities are low but community is rich. This is a contrast to La La Land or most musicals where the setting is the red carpeted streets of LA. When the music doesn't come from the sparkle of Hollywood tinsel, it can only come from the story itself. From what we've seen so far, this offering seems to understand that. The trailer displayed an array of snapshots of a vibrant, kinetic, lyrical world where, indeed, the streets themselves are made of music. (Why aren't there more dance numbers in swimming pools?) Maybe Hollywood won’t drop the golden egg this time.


 

3. The Tomorrow War

December 25, 2020 July 23, 2021

                The Tomorrow War was originally going to be Paramount gifting us a summer movie for Christmas, now it gets to be just a straight summer movie.

                Originally titled "Ghost Draft," this blockbuster imagines a future war between mankind and an alien threat. So overwhelming is the invasion that the future enlists the help of the past, drawing in our main character (Chris Pratt, also a producer on this film) from our time to fight in this war. The cast is rounded out by a vast ensemble, enlisting Yvonne Strahovski, JK Simmons, Seychelle Gabriel, Keith Powers, and Mary Lynn Rajskub, among others.

                As someone who wants the signature films of the 2020s to amount to more than just remakes and spin-offs of films of the 1990s, I try to take special interest whenever studios gamble on a non-franchise project. The medium’s creative-lifeblood obviously hinges on more than the returns of any single film, but in a post-coronavirus landscape where major studios like Warner Bros and Disney are actively shifting their model to favor streaming over theaters, the success of an original property like The Tomorrow War should be of special interest to all of us. Can Chris Pratt save the future of humanity? And theaters? We’ll have to wait until this summer to find out.

(EDIT: Okay, maybe I spoke too soon.)

 

4. BIOS

October 2, 2020 April 16, 2021 August 13, 2021

                First announced in October 2017, the film follows “a robot that lives on a post-apocalyptic earth. Built to protect the life of his dying creator’s beloved dog, it learns about love, friendship, and the meaning of human life.” Tom Hanks’ casting as the robot’s inventor was announced alongside the synopsis. The cast is rounded out by Caleb Landry-Jones as the robot with Skeet Ullrich, Samira Wiley, and others.

While few plot details have been revealed, the logline proves tantalizing. The desolation of a post-apocalyptic setting seems a stark contrast to the pathos inherent in a story about a robot learning to care for another living thing. I imagine the final product as something between Children of Men and The Art of Racing in the Rain. There are all sorts of directions the filmmakers could go with that, and I’m eager to see any of them.

 

5. Raya and the Last Dragon

November 25, 2020 March 5, 2021 

   I set my movie calendar by Disney and Pixar titles the way most audiences do with Marvel or Star Wars films, but in between the company’s conquest over the last few years their animated offerings have gotten lost in the shuffle. Walt Disney Animation Studios hasn’t released a non-franchise film since Moana back in 2016. (Imagine a four-year wait between Frozen and Big Hero 6.) Raya and the Last Dragon brings an end to that drought.

                Drawing inspiration from southeast-Asian cultures, Raya and the Last Dragon tells the story of a young warrior (voiced by Kelly Marie Tran) on a quest to find Sisu, the last dragon (voiced by Awkwafina), who holds the key to restoring peace to her divided kingdom.

                Raya won’t be the studio’s next musical (audiences will have to wait until Disney’s November offering, Encanto, for that) but the genre does catch my interest. The movie has been billed as a kung-fu adventure film a la House of Flying Daggers set against a fantastical backdrop that animation so effortlessly provides. Disney’s marketing campaign has yet to start, but so far all signs point to Raya being Disney’s next animated champion.


 

One of the hardest things about 2020 for me has been the waiting. The waiting, the waiting, the waiting. We're not quite out of the woods yet, but we may only have to wait a little longer. Whatever we've missed out on these last several months, we can take some consolation that there are good times still to be had. Raise a glass to 2021.

 --The Professor


Honorable Mentions: Jungle Cruise, Black Widow, West Side Story, The Batman, Death on the Nile, The Woman in the Window, Sound of Freedom

Comments

Popular posts from this blog

PROFESSOR'S PICKS: 25 Most Essential Movies of the Century

       "Best." "Favorite." "Awesomest." I spent a while trying to land on which adjective best suited the purposes of this list. After all, the methods and criteria with which we measure goodness in film vary wildly. "Favorite" is different than "Best," but I would never put a movie under "Best" that I don't at least like. And any film critic will tell you that their favorite films are inevitably also the best films anyways ...      But here at the quarter-century mark, I wanted to give  some  kind of space to reflect on which films are really deserving of celebration. Which films ought to be discussed as classics in the years ahead. So ... let's just say these are the films of the 21st century that I want future champions of the film world--critics and craftsmen--to be familiar with.  Sian Hader directing the cast of  CODA (2021)     There are a billion or so ways to measure a film's merit--its technical perfectio...

Year in Review: 2024

    Let me start this party by admitting ...  I really dropped the ball on reviews this year, folks. Not counting my Percy Jackson response , which in practice plays more like one of my essays anyways, there was a six-month gap between reviews with Wish last November and The Fall Guy this May.       More than once during that drought, I took my notebook to the theater and came back with a page full of notes, but for various reasons I was unable to piece together anything. It didn't help also that deliveries this year were comparatively sparse, what with the strikes strangling the production line. I will try to do better this year. (For those curious, I am also going to try to review the final season of  Stranger Things , like I did with the 4th season, when it drops sometime this year. That will all depend on a lot of things, including the method by which Netflix chooses to release these episodes.)      My reviews didn't par...

REVIEW: Enola Holmes

Inspired by the children's book series by Nancy Springer, Netflix's new film, Enola Holmes , turns the spotlight onto the younger sister of the famed detective as a new mystery thrusts her into an insidious conspiracy that compels her to take control of her own life and leave her own mark. The film's greatest achievement is reaffirming that lead actress Millie Bobby Brown of Stranger Things is indeed one of the most promising up and coming talents around and can seemingly step into any role with enthusiasm, but beyond that there's little about this film to celebrate. Enola Holmes lives alone with her mother, Eudoria (Helena Bonham-Carter), away from the pursuits of her much older, much more accomplished older brothers--the snooty Mycroft (Sam Clafin) and the ever-charming, ever famous Sherlock (Henry Cavill). Enola enjoys the attention of her mother until Eudoria vanishes without warning. It is this disappearance that summons her older brothers back to the estate to se...

REVIEW: Wolf Man

     The thing about any figure as iconic as The Wolf Man is ... you already know how his story ends because there's only one way it can end. Much in the same way that any "King Kong" movie has to end with the ape falling off of the Empire State Building. Any other ending just feels incongruent. Grafted from some other story. The equation can only produce a single sum. As Maria Ouspenskaya warned us in the original Wolf Man, "So tears run to a predestined end."       I'll break the film critic's seal here a little and say that, if you love the Wolf Man figure, then you already know what happens to him at the end of Leigh Whannel's film, and you already basically know why.       But I don't for a second count that as a bad thing. Reinvention is easy. Doing your homework, that takes commitment. And Whannel's new film does its homework.     Here, our Wolf Man is Blake, a loving father living in the city with his daughter, Gi...

Eternal Sunshine of the Spotless Mind: Do Clementine and Joel Stay Together or Not?

                    Maybe. The answer is maybe.             Not wanting to be that guy who teases a definitive answer to a difficult question and forces you to read a ten-page essay only to cop-out with a non-committal excuse of an answer, I’m telling you up and front the answer is maybe. Though nations have long warred over this matter of great importance, the film itself does not answer once and for all whether or not Joel Barrish and Clementine Krychinzki find lasting happiness together at conclusion of the film Eternal Sunshine of the Spotless Min d. I cannot give a definitive answer as to whether Joel and Clementine’s love will last until the stars turn cold or just through the weekend. This essay cannot do that.             What this essay can do is explore the in-text evidence the film gives for either side t...

REVIEW: Mufasa - The Lion King

    To get to the point, Disney's new origin story for The Lion King 's Mufasa fails at the ultimate directive of all prequels. By the end of the adventure, you don't actually feel like you know these guys any better.           Such  has been the curse for nearly Disney's live-action spin-offs/remakes of the 2010s on. Disney supposes it's enough to learn more facts or anecdotes about your favorite characters, but the interview has always been more intricate than all that. There is no catharsis nor identification for the audience during Mufasa's culminating moment of uniting the animals of The Pridelands because the momentum pushing us here has been carried by cliche, not archetype.      Director Barry Jenkins' not-so-secret weapon has always been his ability to derive pathos from lyrical imagery, and he does great things with the African landscape without stepping into literal fantasy. This is much more aesthetically interestin...

Pan's Labyrinth: The Fantasy and Reality of Good and Evil

     So here’s a question I’m sure no one’s asked yet: what is the point of fantasy?          Ask your resident D&D enthusiast or aspiring fantasy writer what it is about the fantasy genre that excites them so much, and you’re bound to get a variety of answers, but the topic of escapism tends to be a common thread. Sometimes the trash compactor of the real world just stinks so much, and you just need to vacation in someone else’s world. You can only stew in real world politics for so long before you just have to unwind by tracing the Jedi lineage or memorizing the rules of alomancy.  This is where you commonly run into thoughts that fantasy nerds are just incompatible with reality and are deliberately shirking any responsibility from participating in it. This mindset has a lot in common with the nostalgia stigma we discussed with “Roger Rabbit” and “Detective Pikachu.” It is also a very elitist perspective born out of the same attitude...

The Power of the Dog Doesn't (want to) Understand Toxic Masculinity: A Deconstruction and History of the "Toxic Cowboy"

              I want to start this piece by recounting my very first experience watching John Ford’s 1956 masterpiece, The Searchers .         The film sees John Wayne playing Ethan Edwards, rugged cowboy who embarks on a years-long quest to recover his young niece, Debbie, after she is kidnapped by a band of Comanche Indians, who also murder her entire family. Ethan is joined on this adventure by Debbie’s adopted older brother, Martin, played by Jeffrey Hunter. Ethan does not welcome Martin’s presence on this mission and even tries to leave him behind at the start, and he will continue to menace Martin as they travail the desert. Part of this is because Ethan does not consider Martin to be Debbie’s real family, and he also resents Martin’s Native American lineage. But most of his animosity stems from the fact that he simply sees Martin as weak. He does not seem like the kind of guy who can ...

We Did Not Deserve The Lion King

Concept Art by Lorna Cook      It has been thirty years since household pets everywhere started resenting Walt Disney Animation.   In the three decades since The Lion King popularized the ritual of hoisting the nearest small animal up to the heavens against its will, the film has cemented itself as a fixture not just within Disney animation, but pop culture as a whole. The internet has an ongoing culture war with Disney as the cradle of all evil, as seen with something like the bad-faith criticisms of The Disney Princess brand ( which I have already talked about ), but these conversations tend to skip out on The Lion King . There are some critiques about things like the coding of the hyena characters or the Kimba controversy, but I don't see these weaponized nearly as often, and I see them less as time goes on while the discourse around the movie itself marches on unimpeded. (We can speculate why movies like The Little Mermaid or Cinderella are subjected to more s...

REVIEW - The Little Mermaid

     There's been a mermaid on the horizon ever since it became clear sometime in the last decade that Disney did intend to give all of their signature titles the live-action treatment--we've had a long time to prepare for this. (For reference, this July will mark four years since Halle Bailey's casting as Ariel made headlines.)       Arguing whether this or any of the live-action remakes "live up" to their animated predecessor is always going to be a losing battle. Even ignoring the nostalgic element, it's impossible for them to earn the same degree of admiration because the terrain in which these animated films rose to legend has long eroded. This is especially the case for The Little Mermaid . Where this remake is riding off a years long commercial high for the Walt Disney Company, the Disney that made The Little Mermaid in 1989 was twenty years past its cultural goodwill. Putting out an animated fairy-tale musical was not a sure thing, yet its suc...