Skip to main content

REVIEW: Jurassic World - Dominion


    Film director and victorious fanboy Colin Trevorrow has justified Jurassic World: Dominion and his trilogy by saying it's not just a continuation but a culmination of all the "Jurassic" movies that came before. I suppose it's for each viewer to decide whether Trevorrow and the team he's assembled have pulled that off. We each come to the franchise bringing something personal to the conversation. 

As for me though, come the series' twilight moments, I was moved by the way that it made somberness and hope sit next to each other so gracefully. If watching the brachiosaurus tromping across Jurassic Park makes me feel like a kid again, beholding the dinosaurs travailing across the savannah with such dignity took me to a more mature place.


    Now that dinosaurs have proliferated across the globe, Owen Grady and Claire Dearing have secluded themselves in their woodland cabin, where they keep their adopted daughter, Maisie, safe from a world that would jump to exploit her and the genetic marvel she represents. Meanwhile, Blue, the raptor Owen raised from infancy, is back, this time with a child of her own. Their haven is disrupted when the bad guys take both Blue's child as well as their own, prompting both Claire and Owen to chase after them, inspiring an adventure that will unite them with some very familiar faces ... 

        The stakes in this film are at once more personalized and more wide-reaching than it was in films past. Owen and Claire's mission is to rescue their loved ones from the evil corporation, but if they fail, it won't just be their home that is broken. Planet Earth will fall prey to widespread devastation. 

    How does our evil man on top plan on bringing the world to its knees? Well ... the answer is bugs. He plans on conquering the world with bugs. Giant bugs, mind you, but bugs nonetheless ... On the one hand, genetically modified locusts are technically in line with the series' fear of not just dinosaurs but of biotechnology as a whole. On the other hand, that's not a mosquito silhouette on the franchise poster. Give us what we want, Trevorrow!


    Make no mistake, the film follows through on its promise of delivering lots of dinosaurs for the curtain call. We have dinosaurs jumping over buildings, fire raining from the sky, dinosaurs attacking airplanes, etc. This finale goes out of its way to provide high volume and high-stress thrills. 

    Yet despite the firework show, there's a maturity, even dignity to the world of "Dominion." Owen and Claire have moved on from quarreling lovers trapped in a fiery mating ritual and planted roots in the home they share their daughter. Even the color palette is more somber, more mixed with shadows, than we've seen in previous films. The park is closed for good, and it's a grown-up world now. 

    
The film takes a big bite entertaining a cast this large. "Dominion" blends our current cast with the '93 heroes, while also introducing newcomers played by DeWanda Wise and Mamoudou Athie. All of our players bring their A-game, and there was something deeply moving about seeing all the members of this multi-generational team trusting one another and working together.

    When it became clear that the film would blend casts of both generations, the question became whether one set would outshine the other. Each of our heroes get their shining moments, but neither the legacy characters nor the rising stars overshadow the other because this film belongs mostly to Maisie, brought to life with intelligence by Isabella Sermon.

   In this landscape, it's Maisie whose journey drives the story. She's the one who wrestles with questions about where she as a living clone fits into this world. Children have always been a central focal point of the series since Dr. Grant was carrying Hammond's grandchildren across Jurassic Park, and so there's something very poetic about this generation's youngest protagonist becoming our guiding star during the franchise's final stretch. 


    With the filter of mass media, there's always a distillation of complex systems. No single film is going to provide the answer to today's societal hurricanes. Yet Jurassic World: Dominion doesn't end by assuring the audience that the good guys have won, per se, and now there's no more reason to fret over the future. I hope it's no spoiler to say that the series doesn't end comfortably, but it remains an ending full of hope. In that space between the formidability of the future--a future we made in part ourselves--and the human capacity to keep climbing whatever the circumstances, the Jurassic World films find their grace. 

    Thanks for the ride, Trevorrow. 

                    --The Professor







Comments

Popular posts from this blog

Toy Story 4: Pixar's Tribute to Regression

          It was about this time last year that I came across the one person who actually hated Toy Story 3 .          I was reading Jason Sperb’s book “Flickers of Film: Nostalgia in the Age of Digital Cinema” as part of my research for my essay on Who Framed Roger Rabbit and Pokemon: Detective Pikachu . It was in one of his chapters on the Pixar phenomenon that he shared his observation from the ending of Toy Story 3 , essentially casting the film as this nostalgia mousetrap for adults: “ If Andy lets go of his childhood nostalgia and moves on, then Toy Story fans don’t really have to , as the narrative recognition in the potential value in such an act is sufficient. Actually moving on becomes indefinitely deferred in an endless cycle of consumption (rewatching the movies, purchasing new versions of the movie, purchasing more and more Toy Story-related merchandise, rewatching them yet again with the next generat...

REVIEW: HOPPERS

     In the 1950s under the threat of nuclear warfare, Hollywood premiered such exercises as The Day the Earth Stood Still or War of the Worlds where an alien power would pass judgment on humankind, holding its fate in its hands. Here in the 2020s under the shadow of such threats as climate change, Hollywood sends to be our judge ... beavers.     Let me back up ...      Daniel Chong's new film from Pixar Animation, Hoppers , sees  Mabel (Piper Curda), a college student whose self-appointed mission is to preserve the glade where she used to find sanctuary with her now deceased grandmother. Her biggest opponent is hometown boy and beloved mayor, Jerry (Jon Hamm), who has designs to plow over the glade in order to open his new freeway--estimated to save travelers four whole minutes of commuting.       Mabel gets her golden opportunity when she uncovers secret technology pioneered by her professor which allows a human to rem...

The Night of the Hunter: Redefining "Childlike Innocence"

I n the early 1960s, American professor and psychologist, Lawrence Kohlberg developed what is now considered to be a fundamental cornerstone of understanding humans and morality. He introduced a model by which human beings start out determining what is right and wrong based on which course of action elicits the least punishment. Successful movement through this model sees a person gradually becoming motivated by principles , not simple reward or punishment, and Kohlberg anticipated that a person did not achieve this stage until adulthood, if ever. How the Grinch Stole Christmas (2000)     This is interesting because t he media likes to cast children as vessels of uncompromised goodness that adults could only ever hope to emulate. T heir purity forms the bedrock of much of American conversation. Because the future hinges upon their innocence, efforts to preserve their unblemished state can go to any length. You can justify any number of actions as long as you are doing i...

(Almost) A Love Letter to the "Percy Jackson" Movies

    Maybe it's just living through a pandemic-stained world rife where each election feels like a last-ditch effort to rescue liberty from the oblivion, but I'm sometimes nostalgic for the days when the most traumatic thing in my life was a poor adaptation of a favorite book.      My generation will remember the film adaptation of the popular YA fantasy book Percy Jackson and the Olympians: The Lightning Thief by Rick Riordan with something like embarrassment, if not outright lividity. The book follows a young teen, Percy Jackson, who discovers that the gods of ancient Greece not only exist, but also sire modern day heroes. As a child of one of these gods, Percy is continually drawn into their Olympian-sized conflicts wherein he gets to prove himself every bit as much a hero as Hercules.       Each installment of the five-book series reads like a theme-park ride through Greek mythology as the teens travel across the country battling ancient m...

REVIEW: Disclosure Day

     Maybe it was self-control that compelled Spielberg to build his whole movie around aliens but give the aliens themselves as little screentime as possible. (Or, for all I know, he did it on a dare.)  But this is only one of the risks taken by his latest film.       This first encounter picture is distanced from something like Independence Day and more toward something like 2001: A Space Odyssey --and it's even closer to something like Arrival . The film sees a cyber-security worker, Daniel Kilner (Josh O'Connor) who defects with the intent to reveal what he knows to the world: the government has had repeated, secret encounters with extraterrestrial life. He has a team of underground sympathizers, lead by Hugo Wakefield (Colmon Domingo), but he also has agent Noah Scanlon (Colin Firth) out to stop the truth at any cost. Kilner's only chance getting the truth out there is in joining up with Margaret Fairchild (Emily Blunt), a newscast personali...

My Best Friend's Wedding: Deconstructing the Deconstructive Rom-Com

Well, Wicked is doing laps around the box office, so it looks as though the Hollywood musical is saved, at least for a season, so I guess we’ll turn our attention to another neglected genre.           As with something like the musical, the rom-com is one of those genres that the rising generation will always want to interrogate, to catch it on its lie. The whole thing seems to float on fabrication and promising that of which we can always be skeptical—the happy ending. This is also why they’re easy to make fun of and are made to feel second-tier after “realer” films which aren’t building a fantasy. You know? Movies like Die Hard …  We could choose any number of rom-coms, but the one that I feel like diving into today is a film I consider to be supremely underrated: My Best Friend’s Wedding . I’m selecting it for a number of reasons. Among these is my own personal fondness for the film, and also the fact that it boasts a paltry 6....

An Earnest Defense of Passengers

          I've heard a lot of back and forth over what the purpose of film is and what we should ask from it. Film as a social amenity kind of has a dual purpose. It's supposed to give the population common ground and find things that people of varying backgrounds and beliefs can unify around. On the other hand, film also creates this detached simulated reality through which we can explore complex and even testing ideas about the contradictions in human existence.     In theory, a film can fulfill both functions, but movies exist in a turbulent landscape. It's very rare for a film to try to walk both lanes, and it's even rarer for a film to be embraced upon entry for attempting to do so.  Let me explain by describing the premise of one of my favorite movies, Morten Tyldum's 2016 film, Passengers .      A key piece of this film ’s plot revolves around the main character, Jim Preston, a passenger onboard a spaceship, who premat...

REVIEW: Song Sung Blue

     I came into Craig Brewer's Song Sung Blue with little context for the real-life couple at the center of this movie, for Neil Diamond, or for the world of celebrity  impersonators  interpreters. There are no doubt subterranean connotations to the specific songs that they chose to sing at certain moments in the narrative that are lost on me. I have no doubt, though, that the intended audience will find this movie before long.  But the film was still viable enough that even a relative neophyte like me could still find himself humming along to this musical drama.     The film documents the real-life couple of Mike and Claire Sardina, celebrity impersonators who fall in love, marry, and form a tribute band for legendary singer, Neil Diamond. We track their relationship from its beginning through their career aspirations and the crossroads in their marriage, including a violent accident that changes their family forever.     Again, I don...

The Notebook Has No Excuses

     The thing about film is … the more you think about it, the less sense it makes. Film tells us, even in a society obsessed with wealth and gain, “Remember, George, no man is a failure who has friends.” Film warns us that the most unnatural evil lies in wait at the Overlook Hotel and peeks out when all the guests leave for the winter–and that the heart of it resides in room 237–knowing we'll trip over ourselves wanting to open that door. Film is what makes us believe that the vessel for the deepest human emotion could be contained in a cartoon clownfish taking his unhatched cartoon son and holding him in his cartoon fin and telling him he will never let anything happen to him.  Nights of Cabiria (1957) Even when it tries to plant its feet aggressively in realism, film winds up being an inherently emotional realm. We feel safer to view and express all manners of passions or desires here in the space where the rules of propriety just don’t matter anymore. So a fa...

REVIEW: Soul

Pixar's latest film, Soul , dropped on Disney+ Christmas day, another regrettable casualty of the virus. This time around, we follow a hopeful musician bursting with enthusiasm. Music is an oddly appropriate metaphor for the film: both certainly touch the outer rim of mankind's emotional faculty, but good luck summarizing the experience to your friends. Joe Gardner is a music teacher at a public school whose enthusiasm for music is spilling out of the walls of his classroom. Opportunity strikes Joe the same day that misfortune does, and a fatal accident lands him in a celestial plane of existence known as "The Great Before," where souls are developed and finessed before being sent to earth to experience human existence. Joe is saddled with mentoring 22, a soul sapling who has settled in The Great Before for several hundred years and has no intention of ever giving mortality a chance. But in 22, Joe sees a chance to return back to earth and fulfill his purpose if he ca...