Skip to main content

REVIEW: Encanto

    It was around Disney's 50th animated feature, Tangled, that this critic first came into film discourse. A lot has changed within the House of Mouse in the years since, and we now find ourselves the recipient of the Disney canon's 60th feature film, Encanto, directed by Jared Bush, Byron Howard, and Charise Castro Smith. What does this latest entry contribute to the library? Turns out, quite a bit.

    Nestled in their enchanted house, Casita, the Madrigal family dazzles their community with their fantastical gifts. Elegant Isabella makes flowers grow in her footsteps, young Antonio chats it up with the local wildlife, and Mirabel ... wishes she had a gift like the rest of her family. It's hard to feel important when you're the only one in your family without a superpower, especially with your grandmother constantly shoving you into the corner. But all is not right in paradise. The magic is fading from Casita, and Mirabel is the only one who can keep her family together, but only if she can discover for herself what no one else will offer her freely: her purpose.

    There are something like a dozen Madrigals in this cast, a dozen points to this star, each of them distinct from not only each other but also character types as a whole. What precedent is there for a muscle-clad, dress-wearing, donkey herder with anxiety problems? Stereotypes appear only long enough to be dissected and subsequently dismantled, and the whole cast feels fresher for it.

    Mirabel is herself a rarity among animated films of all brands. Nerdy teenage girls finally get their day with Mirabel, the rare animated heroine who doesn't look like she fell off the barbie doll shelf. Voice actress Stephanie Beatriz neither disguises nor exaggerates Mirabel's innate geekiness, instead carving a whole human who is insecure but not self-deprecating, warm but not saccharine. We also have Ms. Beatriz to thank for supplying our heroine with a beautiful singing voice, which we have the privilege of hearing across a full deck of musical numbers.

    We may have heard catchier tunes from Mr. Miranda (then again I have been singing about Bruno-no-no-no for hours since my viewing), but we've seldom seen musical numbers staged so beautifully. Each number has the characters sliding between vivid stages that seem to be made from light itself. Remember how your jaw dropped watching Elsa dance among the clouds of living ice crystals? There's more where that came from. A lot more. 

    Where adventure quests are de rigeur for animated films, Encanto chooses to stage all of the action within the Madrigals' "Casita." The film takes a page from the likes of Hogwarts or the castle in Super Mario '64 and keeps all the plot's dungeons within a singular, magical house.

    It is somewhat underwhelming that Mirabel never has to travel as far as her backyard to collect her Holy Grails. But even that frustration is thwarted by the quiet genius of this wrinkle. Sure, many of us might climb mountains or slay dragons to save the day, but going one door over to make amends with your sister? That's one ocean few of us are daring enough to cross. 

   In a way it's refreshing that the plot is propelled forward by Mirabel basically having little therapy sessions with her relatives. Mirabel challenges her family's schema for the perfect familial unit, but Mirabel's honesty and insightfulness may be just what her family needs to become the best version of it's self.

    Much like Mirabel's contribution to her family is undervalued, Encanto's offering to the Disney family is a little hard to describe because the film's connection is tenuous. The songs aren't like your usual Disney songs. The story isn't like your usual Disney story. The heroine isn't like your usual Disney heroine. For that, a lot about Encanto is weird. Like an awkward youngest child of an extraordinary family of films, one that maybe we don't quite know what to do with yet. But each new discrepancy also carries something like revelation, something that might bring life and variety to the family. Given little time, I think we'll be happy to welcome this one to the clan.

        --The Professor



Comments

  1. My daughter is a Disney aficionado, and this one just didn't resonate with her quite like other Disney classics (e.g., "Alice in Wonderland") and recent Disney soon-to-be classics (e.g., "Coco") have. That may change with time but, like you, she found "Encanto" occasionally "weird." Interesting review, nonetheless! I haven't seen the film, but you've evidenced that it is worth at least a look.

    ReplyDelete

Post a Comment

Popular posts from this blog

We're Back! a Dinosaur's Story - Getting Lost in the "Last Frontier of Imagination"

Last month, Variety ran a piece observing, “Hollywood Can’t Survive Without Animation. So Why Won’t the Industry Respect It?” by Clayton Davis, who reported , “In the nearly five decades that domestic grosses have been tracked, an animated film has finished the year as the No. 1 release just seven times, beginning with Disney’s “Aladdin” in 1992. Now the medium is having an unprecedented run, with “Inside Out 2” and “Zootopia 2” topping the last two calendar years (a first for animated movies to lead the box office for two consecutive years) and the latter becoming the highest-grossing animated film ever domestically. “The Super Mario Galaxy Movie” is leading 2026 so far and is the only film to cross $1 billion. Setting aside the 2020 and 2021 pandemic seasons, which emptied theaters of family films, animated features have made up about 20% of the year’s 10 top-grossing releases over the past decade. And yet, the artists who make these movies have rarely felt less valued: In May 2024, ...

REVIEW: Spider-Man - Brand New Day

      Somewhere in the multiverse, there's an opening chord of a review where I celebrate Spiderman: Brand New Day as some kind of welcome "return to basics" for the MCU, but that's not more than partially true.       This movie is a lot more straightforward than cohesive than most Marvel pics from the early stretch of the decade. Feige finally feels confident that, yes, we know that there's a multiverse, and we don't need more reminders.     But this is also not a budget Marvel movie. The film still designs an elaborate fireworks show for Peter Parker to dance around. There is also definite signaling for future Marvel adventures. Sadie Sink's stealth role in this movie (a sizzling introduction into the MCU) teases the integration of a new family of superheroes set to join the ranks of The New Avengers.      But these sneak peeks feel like just that, and unlike sloppier Marvel pics, they aren't made to bear the weight of the e...

My Criminal Father Surrogate: Masculinity in A Perfect World

     I've been wanting to tackle the subject of "masculinity" in film for quite some time now, but I hadn't quite known how best to do that. There's a certain buzzword, "toxic masculinity," that especially elicits a lot of strong feelings from a lot of different angles. While a post-#MeToo world has exposed some very disturbing truths about the way masculinity has historically performed, I'm not here to roast 50% of the world population. Actually, I really want to talk about a man's capacity for good. Ted Lasso (2020)      There’s certainly a lot of discussion to be had for newer media celebrating men for possessing attributes not historically coded as "manly." But what's even more fascinating to me are the attempts to bridge the gap between traditional masculinity and new age expectations--to reframe an older vision of manhood within our modern context.       Which brings me to Clint Eastwood’s 1993 film, A Perfect World.   ...

REVIEW: The End of Oak Street

      There's something vaguely Spielberg about The End of Oak Street , and I don't really even mean the dinosaurs, which look quite a bit different from the CG masterworks of the seminal '93 film.      The Platts are a conventional American family living in 1980s suburbia who are caught in a bizarre time anomaly that sends their entire neighborhood back to the prehistoric age.  What follows plays like a more visceral rendition of '95 Jumanji . There's a very PG13 level of blood onscreen. But most of the anxiety derives from just how unceremoniously the dinosaurs are seen snacking on the neighbors.  Without ever feeling like it's trying to outsmart the audience, the film drives home the idea that, yeah, if your street was sucked into a wormhole, the dinos would get you too--and probably without even needing to try hard.      Among many other things, the movie is a masterclass in filmmaking tension. Amidst a stampede of gigantic fang...

Thawing Disney's Frozen Heart

  As a millennial Disney fan and film student in utero, growing up I often thought about what it would have been like to be there when Aladdin or The Little Mermaid , or even “Snow White” or The Jungle Book , premiered to the culture. It’s one thing to grow up and realize you have a piece of film history with you here in your living room. It’s another to get to watch the culture transform as it engages for the first time with something  And I have this envy for a great many cinematic works. Like, what I would give to go back to 1946 and tell those losers who dismissed It's a Wonderful Life how they had no idea what they were sleeping on. But the Disney canon’s place within the culture is also specific. Their commitment to delivering hopeful stories to an audience that believes itself beyond such frailties as faith or kindness is unparalleled, and that makes their contributions worth studying and celebrating. And so I didn’t take it for granted during that period in late ...

REVIEW: The Rivals of Amziah King

    The first note I made for this film is that I knew a bunch of cowboys growing up. But I regretfully did not know any who were just so willing to burst into song.      I thought then that I knew what I was getting into with this movie. But I could not anticipate what this story would try to feed me.      The movie sees Amziah King, a good-natured beekeeper, smalltown musician, and all-around good dude, sorting through some business deals as he happens to reunite with his former foster-daughter, Kateri. Crossing paths again allows them to mutually rediscover what they gave to each other as two people who lifted each other up. But when King's entire stock is stolen at the worst possible moment, Kateri gets to step-up and defend what is theirs.      Amziah King is McConaughey at his most endearing. His ability to put the viewer at ease is the film's greatest trick. I've heard some buzz about this being his best performance ever. I'd...

The Banshees of Inisherin: The Death Knell of Male Friendship

           I’m going to go out on a limb today and put out the idea that our society is kind of obsessed with romance. In popular storytelling, t he topic has two whole genres to itself (romantic-comedy, romantic-drama), which gives it a huge slice of the media pie. Yet even in narratives where romance is not the focus, it still has this standing invitation to weave itself onto basically any kind of story. It’s almost more worth remarking upon when a story doesn’t feature some subplot with the main character getting the guy or the girl. Annie Hall (1977)      And it’s also not just the romantic happy ending that we’re obsessed with. Some of the most cathartic stories of romance see the main couple breaking up or falling apart, and there’s something to be gained from seeing that playing out on screen as well. But what’s interesting is that it is assumed that a person has a singular “one and only” romantic partner. By contras...

Butch Cassidy and the Sundance Kid: Westerns Riding off into the Sunset

In both my Les Miserables and Moulin Rouge! pieces, I made some comment about the musical as the genre that receives the least love in the modern era. I stand by that, but I acknowledge there is one other genre for which you could potentially make a similar case.  I am referring of course to the western film. See, musicals at least have Disney keeping them on life support, and maybe one day we’ll get the  Wicked  movie Universal has been promising us for fifteen years [FUTURE EDIT: All good things, folks ]. But westerns don’t really have a place in the modern film world. Occasionally we’ll get films like  No Country for Old Men,  which use similar aesthetics and themes, but they are heavily modified from the gun-blazing-horseback-racing-wide-open-desert w esterns  of old.  Those died, oddly enough, around the same time musicals fell out of fashion.              Professors Susan Kord and El...

Toy Story 4: Pixar's Tribute to Regression

          It was about this time last year that I came across the one person who actually hated Toy Story 3 .          I was reading Jason Sperb’s book “Flickers of Film: Nostalgia in the Age of Digital Cinema” as part of my research for my essay on Who Framed Roger Rabbit and Pokemon: Detective Pikachu . It was in one of his chapters on the Pixar phenomenon that he shared his observation from the ending of Toy Story 3 , essentially casting the film as this nostalgia mousetrap for adults: “ If Andy lets go of his childhood nostalgia and moves on, then Toy Story fans don’t really have to , as the narrative recognition in the potential value in such an act is sufficient. Actually moving on becomes indefinitely deferred in an endless cycle of consumption (rewatching the movies, purchasing new versions of the movie, purchasing more and more Toy Story-related merchandise, rewatching them yet again with the next generat...

Hating Disney Princesses Has Never Been Feminist pt. 2

    As we discussed in the last section , Disney Princesses are often held accountable for things that did not actually happen in their films--things they did not do. I feel like a part of this is the means by which said scrutiny typically takes place.       There is, after all, a sort of stigma around watching "cartoons" as an adult, especially "princess cartoons," let alone watching them intently. And so I feel like a lot of the conclusions people come to about Disney Princesses comes either entirely from second-hand sources, like the memes, or from having it on in the background while babysitting as they scroll through their phone.      I'll use an anecdote from my own history as an example: my very first week of film school, the professor drifted to the topic of female representation in the media. This professor dropped a sort of humble-brag that he had actually never seen Disney's Pocahontas , but that he didn't consider this a terrible ...