I'm going on the record to say that, even with the devastation wrought upon Wanda's character in "Multiverse of Madness," WandaVision is one of the best things we've gotten from any stage of the Marvel Cinematic Universe. And that has to be the main reason why Marvel enlisted Matt Shakman to pilot their premiere Fantastic 4 film (stealing him away from Star Trek 4 ...), the film that was going to rescue the studio from their post-"Endgame" stupor. There are probably all sorts of soundbites about this being the first real version of the story to get the machine to work, and I wouldn't disagree. But in the context of Marvel's larger rehabilitation, The Fantastic 4: First Steps reads less like the great MCU reset and more like an elaborate gymnastics routine, an attempt to splice Marvel's Thanos era with its Not-Iron-Man era. Graciously, this works better than it sounds on paper, but it does kind of purchase this at the expense of ...
“But isn’t it time we stopped accepting in film criticism an anti-emotional, phony rationalism which we know to be not just harmful, but absurd, in any other context? Isn’t it time we plucked up our courage and allowed our hearts as well as our heads to go the pictures?” Raymond Durgnat (Films and Feelings) 1971