In the first half of this series , we looked at this construction of the Disney image that the company has sold itself on for several decades now. Walt himself saw the purpose of his entertainment enterprise as depiction a happier world than that which he and the audience emerged from, and that formed the basis of his formidable fanbase. But because the larger culture only knows how to discuss these things in the context of consumerism, a lot of intricacies get obscured in the conversation about The Walt Disney Company, its interaction with larger culture, and the people who happily participate in this fandom. Basically, critics spent something like fifty years daring The Walt Disney Company to start being more proactive in how they participated in the multi-culture. And when Disney finally showed up in court to prove its case, the world just did not know what to do ... The 21st Century With the development of the inter...
“But isn’t it time we stopped accepting in film criticism an anti-emotional, phony rationalism which we know to be not just harmful, but absurd, in any other context? Isn’t it time we plucked up our courage and allowed our hearts as well as our heads to go the pictures?” Raymond Durgnat (Films and Feelings) 1971