I’ve said before that the public discourse around the current parade of live-action Disney remakes has been very contentious. Trying to have a civil conversation about the potential creative merits is something of an uphill battle. In most cases, this is just the general opposition to Hollywood’s penchant for repackaged material, but the mess does spill into other conversations. Take the casting announcement of Halle Bailey in the role of the upcoming remake of The Little Mermaid . When Disney announced on July 3, 2019 that the highly coveted role of Ariel would go to an African-American actress, you saw a lot of excitement from crowds championing fair representation. You also saw a lot of outrage, most clear in the trending hashtag #NotMyAriel. I hear a lot of people shouting that “Ariel has been white f...
“But isn’t it time we stopped accepting in film criticism an anti-emotional, phony rationalism which we know to be not just harmful, but absurd, in any other context? Isn’t it time we plucked up our courage and allowed our hearts as well as our heads to go the pictures?” Raymond Durgnat (Films and Feelings) 1971