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Showing posts from November, 2021

My Criminal Father Surrogate: Masculinity in A Perfect World

     I've been wanting to tackle the subject of "masculinity" in film for quite some time now, but I hadn't quite known how best to do that. There's a certain buzzword, "toxic masculinity," that especially elicits a lot of strong feelings from a lot of different angles. While a post-#MeToo world has exposed some very disturbing truths about the way masculinity has historically performed, I'm not here to roast 50% of the world population. Actually, I really want to talk about a man's capacity for good. Ted Lasso (2020)      There’s certainly a lot of discussion to be had for newer media celebrating men for possessing attributes not historically coded as "manly." But what's even more fascinating to me are the attempts to bridge the gap between traditional masculinity and new age expectations--to reframe an older vision of manhood in a way that feels true to what we know about how it functions today. Take Clint Eastwood’s 1993 film, A ...

REVIEW: Encanto

    It was around Disney's 50th animated feature, Tangled , that this critic first came into film discourse. A lot has changed within the House of Mouse in the years since, and we now find ourselves the recipient of the Disney canon's 60th feature film, Encanto , directed by Jared Bush, Byron Howard, and Charise Castro Smith. What does this latest entry contribute to the library? Turns out, quite a bit.     Nestled in their enchanted house, Casita, the Madrigal family dazzles their community with their fantastical gifts. Elegant Isabella makes flowers grow in her footsteps, young Antonio chats it up with the local wildlife, and Mirabel ... wishes she had a gift like the rest of her family. It's hard to feel important when you're the only one in your family without a superpower, especially with your grandmother constantly shoving you into the corner.  But all is not right in paradise. The magic is fading from Casita, and Mirabel is the only one who can keep her f...