I've been wanting to tackle the subject of "masculinity" in film for quite some time now, but I hadn't quite known how best to do that. There's a certain buzzword, "toxic masculinity," that especially elicits a lot of strong feelings from a lot of different angles. While a post-#MeToo world has exposed some very disturbing truths about the way masculinity has historically performed, I'm not here to roast 50% of the world population. Actually, I really want to talk about a man's capacity for good. Ted Lasso (2020) There’s certainly a lot of discussion to be had for newer media celebrating men for possessing attributes not historically coded as "manly." But what's even more fascinating to me are the attempts to bridge the gap between traditional masculinity and new age expectations--to reframe an older vision of manhood in a way that feels true to what we know about how it functions today. Take Clint Eastwood’s 1993 film, A ...
“But isn’t it time we stopped accepting in film criticism an anti-emotional, phony rationalism which we know to be not just harmful, but absurd, in any other context? Isn’t it time we plucked up our courage and allowed our hearts as well as our heads to go the pictures?” Raymond Durgnat (Films and Feelings) 1971